글쓴이 이름: eugeneonmusic

Former professor at Korea National University of Arts
한국예술종합학교 교수 역임

Former professor at Hanyang University, College of Music
한양대학교 음대 교수 역임

피아노 가브리엘 쵸도스 피아노 가브리엘 쵸도스 (Gabriel Chodos) Professor Emeritus, New England Conservatory of Music for 25 years as Piano Chair, USA 미국 뉴 잉글랜드 음악원 학과장 역임 Emeritus faculty of the Aspen Music Festival 아스펜 뮤직 페스티벌 명예 교수   “GABRIEL CHODOS – GREAT PIANIST.  This recital was masterful and gripping from beginning to end.  He belongs among the great interpreters and best pianists of this day.” – De Tijd, Amsterdam  “Gabriel Chodos is an artistic personality combining true musicality, great piano playing, and a mighty capacity for personal and poetic expression.” – Ha’aretz, Tel Aviv “A GLIMPSE OF THE ULTIMATE … In the first movement of the Schubert B-flat Sonata the pianist risked everything.  No one can play this music at such a slow tempo, you would think – and, crucially, “hold” it, keep it from fragmenting – unless he is Schnabel or Richter.  Chodos did. – Boston Globe “ … Pianists like Schnabel, Edwin Fischer, and Myra Hess, the dress circle to which this artist belongs.” – Clavier GABRIEL CHODOS is Emeritus Professor of Piano at the New England Conservatory of Music.  He was Chairman of the Piano Department at the New England Conservatory for 25 years, and he was also a member of the artist faculty of the Aspen Music Festival for many years.  His students have included the renowned Chinese pianist Zhu Xiao-Mei and Peter Sykes, who is a member of the faculty of the Juilliard School. Mr. Chodos has performed throughout the United States, Europe, and Asia. He has been soloist with the Chicago Symphony Orchestra, the Radio Philharmonic Orchestra of Holland, the Jerusalem Symphony Orchestra, and the Aspen Chamber Symphony.  A winner of the Concert Artist Guild competition in New York, Mr. Chodos also received a Fulbright Scholarship, Martha Baird Rockefeller grants, and a Solo Recitalist Grant from the National Endowment for the Arts. Mr. Chodos has performed at the 92nd Street Y, Alice Tully Hall, Merkin Hall, Symphony Hall, and the Library of Congress.  Mr. Chodos’s performances of works by Schubert, Chopin and Brahms have been broadcast nationwide by National Public Radio.  He has recorded for Fleur de Son, Victor/Japan, CRI, Orion, and Centaur. Mr. Chodos has given master classes throughout the world, including the Guildhall School of Music in London, the Hochschule für Musik in Leipzig, the Estonia Music Academy in Tallinn, the Central Conservatory in Beijing, the Toho Gakuen School of Music, the Kunitachi School of Music in Tokyo, Seoul National University, Yale University, Indiana University, the Aspen, Chautauqua and Atlantic Festivals, the Aldwell Center at the Jerusalem Academy, and the Tel-Hai master classes in Israel. Mr. Chodos’s principal teacher was Aube Tzerko, a student of Artur Schnabel. His undergraduate studies at the University of California at Los Angeles were in Philosophy, and he holds a Master’s degree in Music from UCLA and a Diploma in Piano from the Akademie für Musik und darstellende Kunst in Vienna. 가브리엘 쵸도스 유튜브 채널

피아노 크리스토퍼 오라이얼리 피아노 크리스토퍼 오라이얼리 (Christopher O’Riley) Host of the WQXR radio show “Christopher O’Riley’s Piano Adventures” WQXR 라디오 쇼 “Christopher O’Riley’s Piano Adventures” 진행자 Active concert artist    전문 연주자 활동 중 Pianist,arranger, collaborative artist, composer, educator and media personality;Christopher O’Riley follows his passions into a fractal array of innovativedirections, ever striving for the truest and deepest human connection, throughperformance, collaboration, communion. Living by the Duke Ellington adage,“There are only two kinds of music in the world; good music and the other kind”O’Riley spotlights the greatness inherent in all great music, self-evident inhis all-embracing genre-fluid range of projects. It is with Mr. O’Riley’s dedication to empowering thelearning abilities, the personalities and imaginations of artists, young andold, that he comes to his latest endeavor. As he shares performances of hishome-recorded traversal of J.S. Bach ~ The Well-Tempered Clavier he hasproduced an online archive of video lectures, Everything We Need To Know AboutPlaying The Piano We Learn From The Well-Tempered Clavier, a seriesilluminating a new perspective on each Prelude and Fugue, expanding on all theways the paucity of Bach’s notation encourages us to engage creatively,imaginatively, engaging the inherent freedoms in all parameters of musicalnotation; instruction and insight to inspire transcendence and epiphany. Inhis solo repertoire, O’Riley has always been expanding and buildingtransformatively, first branching out into early Virginalists, William Byrd,Orlando Gibbons, Giles Farnaby, then Bach’s less celebrated keyboard creator,Jean Phillipe Rameau. O’Riley first ventured into the art of pianotranscription most famously with his arrangement of the Flower Duet, “Viens,Mallika!” from Leo Delibes’ Lakme, then two by Bach, the Trio Sonata in CMajor, and the Dorian Toccata & Fugue, Astor Piazzolla’s Verano Porteño. Apollon musagete, O’Riley’s favoritework of Igor Stravinsky, and Liszt’s transcription of Berlioz ~ SymphonieFantastique are two major works which O’Riley has amended copiously Moregenre-fluid projects resulted from his work with cellist, Matt Haimovitz. Theirfirst project was an homage to the iPod: Shuffle.Play.Listen(Oxingale/Pentatone), a two-disc set, featured repertoire of Stravinsky,Piazzolla, Martinu, Janacek as well as arrangements of Radiohead, CocteauTwins, Blonde Redhead, John McGlaughlin, and movements from recentCentenary-celebrant, Bernard Herrmann’s score to the Alfred Hitchcock film,Vertigo. A similarly genre-straddling, Russian oriented project, TROIKA posedestablished masterpieces for cello and piano by Prokofiev, Shostakovich andRachmaninoff with arrangements of each, as well as of more contemporary Russianartists, Victor Tsoi and the protest band, Pussy Riot, and The Beatles’anthemic Back In The U.S.S.R. O’Riley’swork with Matt Haimovitz crossed disciplines as well as genres: 2015 saw therelease of their Beethoven.Period (Pentatone), their traversal of the Sonatasand Variations recorded on Matt’s gut-strung cello and an original 1828Broadwood, a maker whose sound found in Beethoven deep sympathy. O’Rileyhas collaborated with lifetime idol, Argentine Tango Master, Astor Piazzolla’spianist, Pablo Ziegler. Their touring partnership, originally of Pablo’sarrangements of Piazzolla Tango, lately celebrating Pablo Ziegler’s owncompositions, spans a quarter century and 2016 saw the Steinway release oftheir collaboration, Nuevo Tango. O’Riley’srecorded oeuvre is extensive, beginning auspiciously with his debut recordingof Ferrucio Busoni’s epic reimagining of Bach’s unfinished ending of his Art ofthe Fugue, Fantasia Contrapuntistica. Ensuing releases celebrated ContemporaryAmerican Composers (Adams, Helps, Brief, Sessions), Maurice Ravel, BeethovenSonatas. O’Riley’s 1994 Nonesuch release, Stravinsky featured the perennialvirtuoso favorite, Trois movements de Petrouchka as well as O’Riley’sextensively reimagined piano versions of movements of L’histoire du soldat andhis favorite of all Stravinsky’s works, the ballet Apollon musagete. O’Riley’srecorded immersions into the work of Scriabin: Vers la flamme (ImageRecordings, 2004) and Franz Liszt, O’Riley’s Liszt (Oxingale, 2013) were eachborne of grand, cross-media collaborations. Vers la flamme was choreographer,Martha Clarke’s synthesis of short stories of Anton Chekhov and the piano musicof Alexander Scriabin. The ambiguous harmonic equilibrium and interactionbetween the synesthetically-conceived piano music created a portal ofpossibilities pairing particular works with specific dramatic scenario. ThisLincoln Center production toured to the American Dance Festival in Durham, NC,to the Kennedy Center, Jacob’s Pillow, and through Lincoln Center’ssponsorship, on Broadway at the Victory Theater. O’Riley’s most recent New York collaboration was withpuppeteer, Basil Twist. 120 performances took place Summer 2018 and was widelypraised, including by Ben Brantley of the NY Times.  크리스토퍼 오라이얼리 유튜브 채널

Former professor at Korea National University of Arts
한국예술종합학교 교수 역임

Former professor at Hanyang University, College of Music
한양대학교 음대 교수 역임

Former professor at Korea National University of Arts
한국예술종합학교 교수 역임

Former professor at Hanyang University, College of Music
한양대학교 음대 교수 역임

Former professor at Korea National University of Arts
한국예술종합학교 교수 역임

Former professor at Hanyang University, College of Music
한양대학교 음대 교수 역임

피아노 총 림 피아노 총 림 (chong lim) To hold master classes and teach students around the world 세계 각지에서 마스터 클래스 개최 및 후학 양성 중 A judge of a number of international competitions    수많은 국제 콩쿠르 심사위원으로 활동 중 Hailing from Kuala Lumpur, Malaysia, pianist–composer Ng Chong Lim studied at the Royal College of Music (RCM), London under the tutelage of Professor Frank Wibaut. He continued his piano studies with Professor Elza Kolodin and subsequently with Professor Beat Furrer at the Universitat fur Musik und darstellende Kunst Graz, Austria for music composition. Chong Lim was the Winner of Malaysian National Piano Competition 1993, Prize winner of the Royal Overseas League Competition and The Anthony Saltmarsh Junior Fellowship (RCM). Chong Lim has performed both as a soloist and chamber musician in many international venues, with recent appearances at ‘Beethoven Complete Piano Sonatas Project’ in Singapore and The 3rd Asian Grand Piano Concert in Seoul, Korea.  In 2013, he was invited to “Evmelia” International Music Festival, Greece, “Opusfest” Antipolo 2013- International Piano and Chamber Music Festival, Philippines. In 2014, he performed at “21st New Music Festival”held in Almaty, Kazakhstan.  Chong Lim has served as juror of international competitions, including The 5th & 6th ASEAN International Chopin Piano Competition in Malaysia, The jakarta International Piano Competition held in Indonesia and National Music Competitions for Young Artists in Manila, Philippines. A keen composer, Chong Lim has had his works commissioned by and premiered in various countries. Notable works include  “Three Sketches for two pianos” (premiered in Taiwan 2004), “Rimba”, “Window” and “Xiang”(premiered by the Malaysian Philharmonic Orchestra in 2006-7), “Amorphous” for String Orchestra (premiered at “Streams” New Music Festival in  Brauweiler,  Germany, 2010), “Footprints” for Piano Solo (premiered at “John Donald Robb Composers’ Symposium, New Mexico, USA, 2011), “Shadows” for Piano and Malay Traditional Instruments (premiered at “International Festival Of Classical Music” Kuala Lumpur, Malaysia, 2011), “Three Sketches” for Oboe, Cello and Piano (commissioned by the Ernst von Siemens Foundation for Chambre d’écoute, Germany, 2012), “Dragonfly(s)” (specially commissioned for the 5th ASEAN International Chopin Piano Competition, Kuala Lumpur, Malaysia, 2012) A committed pedagogue, Chong Lim was a faculty member of Universiti Malaya (Malaysia) and Nanyang Academy of Fine Arts (Singapore).  Many of his students have won major prizes at both local and international competitions. For his great contribution to the Malaysian music scene, Chong Lim was awarded STM (Pingat Setiawan Tuanku Mukhriz – Associate-Order of Loyalty to Tuanku Mukhriz) by the Yamtuan Besar of Negeri Sembilan, Malaysia in 2011. 총 림 유튜브 채널

피아노 니콜라이 사라토프스키 피아노 니콜라이 사라토프스키 (Nikolai Saratovsky) Russian President’s Award for his musical accomplishments. 음악적 업적에 따라 러시아 대통령 상 수상 Professor at the National Taipei University of Education    타이베이 국립 교육대학원 음악과 교수 Nikolai Saratovsky is an internationally acclaimed Russian concert pianist.  He graduated from the Moscow Central Music School and Moscow State Conservatory under guidance of Professor Elena Richter.  Saratovsky`s development is followed by world-renowned artists such as Dmitry Bashkirov, Nelson Delle-Vigne Fabbri, Philippe Entremont, Jerome Lowenthal, Michel Beroff, Robert Roux and Artiom Agazhanov.    Nikolai Saratovsky is a prizewinner of numerous competitions such as Hamamatsu, Ferrol competitions, and many others.     Nikolai Saratovsky is regularly invited to conduct masterclasses in Russia, Japan, the United States, Canada, New Zealand, Luxembourg, Hong Kong and Taiwan.   The pianist has performed in major concert halls around the world including the Great, Small, and Rachmaninoff Halls of the Moscow Conservatory; National Concert Hall in Taipei; Brussels Royal Conservatory Hall; Suntory Hall in Tokyo, Luxembourg Philharmonic. He has performed solo and with orchestras in 24 world capitals across the globe including New Zealand, Belgium, Luxembourg, USA, Portugal, Spain, Taiwan, Japan and Russia.  His newest CD was released in November 2018 in the presence of the Russian Ambassador in Luxembourg. In 2020, Nikolai Saratovsky became a piano professor in the faculty of the Music Department of National Taipei University of Education. 니콜라이 사라토브스키 유튜브 채널

피아노 이웬 셴 피아노 이웬 셴 (Yiwen Shen) Assistant Dean of Tianjin Juilliard School, China 중국 텐진 줄리어드 음악원 부학장 Active conductor, composer, and pianist.    지휘자, 작곡가, 피아니스트로 활동 중 Yiwen Shen is a Chinese conductor, composer, and pianist, and he currently serves as the assistant dean of performance activities at The Tianjin Juilliard School. Shen made his conducting debut in China with the National Ballet of China Symphony Orchestra at the National Performing Arts Center in Beijing. In Europe, he has worked with North Czech Philharmonic, Karlovy Vary Symphony Orchestra, MÁV Symphony Orchestra, Orchestra of Magna Graecia, Royal Camerata, Bucharest Philharmonic, and Bucharest Symphony Orchestra. In North America, he has worked with the Juilliard Orchestra, Prince George’s Philharmonic (MD), University of Maryland’s Symphony Orchestra and Repertoire Orchestra, as well as the Monteux Festival Orchestra. Shen’s composition awards include the ASCAP Morton Gould Young Composers Award, Gena Raps String Quartet Award, and Arthur Friedman Prize; first prize from SCI/ASCAP Composition Commission; second prize from the First China Clarinet Composition Competition; winner of the Nashville Symphony’s Composer Lab, Minnesota Orchestra’s Composer Institute, and Albany Symphony’s Composer to Center Stage Competition; two top prizes from Chinese National Composition Competitions, Chinese Golden Bell Award, and Distinguished Achievement of the Year in Music Composition in Shanghai. Other highlights include major orchestral premieres with the Minnesota Orchestra, Nashville Symphony, American Symphony, Albany Symphony, Beijing Symphony, Shanghai Symphony, Shanghai Opera House Orchestra, Juilliard Orchestra, and Bard Conservatory Orchestra for its first international tour of China. His full-length ballet, The Crane Calling, commissioned by the National Ballet of China, premiered in 2015, toured over 30 cities in China, and received its European debut in 2017 and North American debut in 2018. His music has also been commissioned and performed by ensembles such as Bowling Green Philharmonic, Aeolus String Quartet, Omer String Quartet, Colorado String Quartet, Da Capo Chamber Players, Music from China Ensemble, TALEA Ensemble, Dal Niente Ensemble, The New York Virtuoso Singers, among others. As a pianist, he was a soloist with the Bard Conservatory Orchestra and New Juilliard Ensemble, and performed with Juilliard’s AXIOM. Shen can  be heard in the recording of Chinese bamboo flute master Tang Junqiao’s Magical Flute of China, released by Channels Classics Records in 2007. Shen holds a dual bachelor’s in composition and German studies from Bard College and the Bard Conservatory of Music, a master’s and doctorate in composition from Juilliard (where he taught from 2011 to 2016), and a master’s in orchestral conducting from the University of Maryland. 이웬 셴 유튜브 채널

피아노 노르마 피셔 피아노 노르마 피셔 (Norma Fisher)Norma Fisher Professor at Royal College of Music, UK 영국 왕립 음악원 교수 Artistic Director of London Master Class Series, UK    영국 런던 마스터클래스 시리즈 예술 감독 Norma Fisher was born in London of Russian-Polish parents. Recognised as ‘a rare musical talent’, at the age of 11 she was awarded a Junior Exhibition to study with Sidney Harrison at the Guildhall School of Music. At 14 she was heard by the celebrated Greek pianist Gina Bachauer who became her mentor, introducing her to the distinguished Hungarian teacher Ilona Kabos, with whom she subsequently studied. A period was also spent in Paris studying French music with Jacques Fevrier. Her highly acclaimed early performances for the BBC led to an invitation by RIAS (Berlin) to perform with the Berlin Symphony Orchestra – which launched her career in Europe. Success in the Busoni International Piano Competition as a top prize-winner followed and in 1963, when she shared the much-coveted Piano Prize in the Harriet Cohen International Music Awards with Vladimir Ashkenazy, Norma’s international reputation was sealed. That same year she made her debut at the Proms in the Royal Albert Hall and became a favourite soloist with all the leading British orchestras. She is known for her versatility as a performer, receiving international acclaim as one of Britain’s leading pianists. This versatility extends to chamber music, which she plays with leading musicians throughout the world. The CDs of Norma’s recently re-issued BBC recordings by Sonetto Classics, “Norma Fisher at the BBC Vol 1”, and “Norma Fisher at the BBC Vol 2” have been received with international acclaim, being awarded Editors and Critics Choice 2018 and 2019, by The Gramophone Magazine. Norma’s reputation as a teacher is widely established and many of her prize-winning students are well known on the international concert circuit. She is invited to give masterclasses throughout the world and is also much in demand as an adjudicator being regularly invited on the jury of many major international piano competitions. She is Artistic Director of London Master Classes whose courses attract major talent from around the world to work intensively with top performers/teachers in London. In 2018 London Master Classes celebrated 30 years of offering prestigious events. 노르마 피셔 유튜브 채널