글쓴이 이름: eugeneonmusic

현악, 첼로/더블베이스

첼로 백나영

첼로 백나영 첼로 백나영 (Na-young Baek) Assistant Principal Cellist of New Jersey Symphony, USA 미국 뉴저시 심포니 오케스트라 수석 A member of the Sejong Soloists and East Coast Chamber Orchestra 한국 세종솔로이스츠 및 미국 이스트 코스트 챔버 오케스트라 단원 https://www.njsymphony.org/musicians/detail/nayoung-baek Winner of the Philadelphia Orchestra Greenfield Competition, Korean-born cellist NAYOUNG BAEK made her American debut with the Philadelphia Orchestra in 2000. She has appeared as soloist with the Hudson Valley Philharmonic, DuPage Symphony Orchestra, Seoul Philharmonic and Korean Chamber Ensemble at major venues, such as the Academy House in Philadelphia and the Rheingau Musik Festival in Frankfurt, Germany. Recent highlights include performances of Dvořák’s Cello Concerto with the Ulsan Symphony Orchestra, Wonju Philharmonic Orchestra and Greenwich Village Orchestra in New York City and Beethoven’s Triple Concerto with the Macau-Hong Kong-Taipei Symphony Orchestra for its New Year’s Concert in Macau, China.   At the age of 15, Baek became the youngest winner in the history of the prestigious Choong Ang Times competition in Korea and also garnered the Virtuoso Prize at the first Tchaikovsky Competition for Young Musicians in Moscow, Russia. Baek was a prizewinner in the Gyeongnam International Competition (in memory of Isang Yun) and won first prize in Hudson Valley Philharmonic Competition and Holland-America Music Society Competition. Her recital appearances have included a New York-debut recital at Weill Hall at Carnegie Hall, presented by the Korea Music Society, and the Dame Myra Hess Concert Series in Chicago. An avid chamber musician, Baek has participated in and performed at the Marlboro Music Festival, Great Lakes Chamber Music Festival, Casals Festival in Prades, Aspen Music Festival and Isaac Stern Seminar in Israel. She has been featured at Carnegie Hall, the Kennedy Center, Salle Gaveau in Paris and Cadogan Hall in London, and on NPR’s “Performance Today.” She has toured twice with Musicians From Marlboro, playing the Mendelssohn Octet and Janáček Quartet.  Baek studied with Orlando Cole at the Curtis Institute of Music in Philadelphia. She continued her studies at Yale University for her master’s degree and at The Juilliard School for her Artist Diploma with Aldo Parisot, who awarded her the Aldo Parisot Prize at the end of her studies. She completed her Doctor of Musical Arts degree at Stony Brook University, where she studied and performed with Colin Carr. Baek served as an adjunct faculty member at Kean University and is a member of the Sejong Soloists and East Coast Chamber Orchestra.

현악, 첼로/더블베이스

첼로 김연진

첼로 김연진 첼로 김연진 (Yeonjin Kim) Professor of The Tianjin Juilliard School, China 중국 텐진 줄리어드 음악원 교수 https://www.tianjinjuilliard.edu.cn/faculty/yeonjin-kim Korean cellist Yeonjin Kim has received international acclaim as a soloist, recitalist, and chamber musician at venues such as the Kennedy Center, Konzerthaus Berlin, Berlin Philharmonie, Seoul Arts Center, Suntory Hall, China National Center for the Performing Arts, and others.    A top prize winner of the Sorantin International Competition (USA), Bossart Award (USA), Dichler-Sato International Competition (Austria), and Viva Hall Competition (Japan), Kim has appeared as soloist with orchestras in Cleveland, Ann Arbor, Colorado, Seoul, and Manila. Her performances were broadcasted on TV and radio in the U.S., Korea, and Japan. As an avid chamber musician, she has collaborated with world-renowned artists. Kim has also performed extensively in Korea and the US with her two sisters in a piano trio, Trio K.   Prior to joining The Tianjin Juilliard School, Kim served as a guest faculty at the University of Michigan and Oberlin Conservatory as well as an adjunct professor at Furman University. She has given master classes in schools in USA, Korea, China, the Philippines, and Hungary. Other artist faculty appointments include Abilene Music Festival, Madeline Island Music Festival, and Luzerne Music Festival. As an orchestral player, Kim also served as assistant principal of the Northwest Indiana Symphony and guest principal cellist of the Ann Arbor Symphony, Dearborn Symphony, and National Repertory Orchestra.   Kim graduated from Seoul National University (BM) in Korea; Toho Gakuen in Japan; Cleveland Institute of Music (MM); and the University of Michigan (DMA) under the tutelage of Chung-Shim Baek, Dong-Oo Lee, Ji-sook Shin, Ko Iwasaki, and Richard Aaron. 김연진 유튜브 채널

현악, 첼로/더블베이스

첼로 이상 엔더스

첼로 이상 엔더스 첼로 이상 엔더스 (Isang Enders) Former principal Staatskapelle Dresden 독일 드레스덴 슈타츠카펠레 수석 역임 Active as a concert Soloist Artist 전문 연주자 활동 중 https://www.isangenders.com Cellist Isang Enders has excelled himself as a musician of new concepts and a constant search for clues, which he continues to demonstrate with his particularly wide repertoire. With his early release of Johann Sebastian Bach’s cellosuites on CD and soundtrack, the FAZ will be his “excellent technical skills and early insight,” which will be described as an “interpretation that can be measured with the best.” The BBC Music magazine particularly praises him: “[…]he reconciles the seemingly irreconcilable: virtuosity, good touch, knowledge and originality. It’s a fascinating interpretation of what is neither willful, nor does it ever retreat into lifeless purism.” With the Bach suites, Isang Enders traveled to many large and small places. That’s how he was at the Bach Festival in Montreal, Melbourne, the Eater and Cologne Philharmonic, but also in Aschaffenburg and Malta.   Meanwhile, Isang Enders is concerting around the globe, putting the breadth of his repertoire not only socialist, but also chamber music at the forefront. He played the cello concerto of Unsuk Chin in Stavanger, the Philharmonic Orchestra of Radio France in Paris, the Opera City Hall in Tokyo and also in Sao Paolo. Last time he was involved in the pre-show of Charlotte Bray’s Triple Concerto with the Philharmonic Orchestra in England and his colleagues from the Sitkovetsky Trio, whose membership he’s been for three years. An Asian tournament featuring Czech Philharmonic and Dvorak Cello Concerto, as well as his guest appearances in Hong Kong, the New York Carnegie Hall, the Wigmore Hall in London and the prestigious Concertgebouw Amsterdam. Isang Enders will regularly return to the Heidelberger Spring, the Rheingau Music Festival and the International Chamber Music Festival, and will perform concerts in Hong Kong with Beethoven’s Triple Concerto, the Cologne Philharmonic with Igor Levit and Anna Prohaska, Chamber concerts in South America and a guest performance in Italy with the Prague Radio Orchestra, as well as a recital with Ragna Schirmer at the Mozartfest in Würzburg and a Bach project with the cembalist Mahan Esfahani in Malta.   Isang Enders came to enjoy great leaders and chamber music partners on important stages. He worked with Zubin Mehta, Christoph Eschenbach, Myung-Whun Chung or Eliahu Inbal and was a soloist at the Vienna Music Association, the Prager Rudolphin and the Berlin Concert Hall, as well as at the major festivals of Schleswig-Holstein, Paris and Marlboro. Especially Asia has a growing importance for him, making guest appearances at orchestras in Korea, Taiwan, China and Japan every season. In this way, Isang Enders, with great support from composer Unsuk Chin, also engaged in the introduction of contemporary repertoire in Asian concert halls and gave the premiere performances of the cello concerts of Henri Dutilleux, Witold Lutoslavski and Bruno Mantovani in Korea, where he’s a regular guest at the Seoul Philharmonic Orchestra. With Peter Eötvös’ concerto, Isang Enders will also make his debut at Suntory Hall in Tokyo next year. As a special inspiration, he felt the long-standing collaboration with pianist Igor Levit… …with Isang Enders at the Schubertiade in Schwarzenegger, the Cologne Philharmonic or the Beethoven Festival in Bonn. Together, they are artists of the first hour of the International Shostakovich Festival in Gorish. Isang Enders connects a musical partnership with outstanding musicians, with whom he regularly performs on stage in recitals. With Sunwook Kim, Severin of Eckardstein, Sunwoo Yekwon or Veronika Eberle, Ning Feng and Volker Jacobsen.   Recording is a special passion of Isang Enders. He published his Bach Suites, as well as works by Schumann and Isang Yun, with the BerlinClassics label. The latest recording with works by Debussy, Messiaen and Boulanger appears as Vox Humana in the spring of 2020. At OEHMS Classic, his live performance came out of the Old Frankfurt Opera of Strauss’ Don Quixote with the Frankfurt Museum Orchestra under Sebastian Weigle, and with the Sitkovetsky Trio, a Beethoven piano trio and works by Saint-Seens and Ravel will appear on the label BIS. 이상 엔더스 유튜브 채널

현악, 첼로/더블베이스

첼로 드미트리 파이긴

첼로 드미트리 파이긴 첼로 드미트리 파이긴 (Dmitry Feygin) Professor of Tokyo College of Music, Japan 일본 도쿄 음악대학 교수 https://www.tokyo-ondai.ac.jp/en/faculty Russian cellist Dmitry Feygin was born in Moscow to his father Valentin Feygin, a distinguished cellist, and mother Galina Zubareva , a famous cello teacher. He received his education at the central music school of Moscow Conservatory in a special program for highly musically gifted children, and continued his studies at the Moscow Conservatory, where he earned his graduate degree. He studied cello with his father and chamber music with Aleksandr Korchagin, a cellist of the Shostakovich String Quartet, and professor Tigran Alikhanov. Since 1990, Mr. Feygin has performed both in Russia and abroad, including at the New Viktring festival, the Corinthian Summer Music Festival in Austria, the Colmar International Festival in France organized by the Russian violinist Vladimir Spivakov, the Oleg Kagan Music Festival in Russia organized by Natalia Gutman, and the November Art Festival in Moscow. Recently, Mr. Feygin has performed with Japanese orchestras under the batons of world-famous Japanese conductors such as Kenichiro Kobayashi and Junichi Hirokami. He has also appeared with distinguished orchestras in South Korea and Vietnam. He currently serves as a jury member for competitions in Japan, Russia and South Korea, and also gives master-classes mainly in China and other Asian countries. He is also active as a soloist and chamber musician. 드미트리 파이긴 유튜브 채널

현악, 첼로/더블베이스

첼로 전경원

첼로 전경원 첼로 전경원 (Kyung-won Jeon) Active as a concert Soloist Artist 전문 연주자 활동 중 Lecture of Yewon School and Seoul Arts High School 예원학교, 서울예고 출강 첼리스트 전경원 은 서울예술고등학교를 졸업하고 한국예술종합학교에서 학사(예술사)와 석사(예술전문사)를 취득하였고 그 후 미국으로 건너가 미시건 주립대학교(Michigan State University) 박사과정을 거쳐 듀케인 대학교(Duquesne University 피츠버그)에서 아티스트 디플로마를 취득하였다. 듀케인 대학교 재학시절, 그의 스승인 피츠버그 심포니 오케스트라 첼로 수석 Anne Martindale Williams로부터 “예리한 곡 해석과 풍부한 톤을 만들어내는 탁월한 능력의 음악인, 그리고 따뜻한 감성의 첼리스트”라는 최고의 찬사를 받았다.   그는 조선일보 콩쿠르 1등과 한국 페스티발 앙상블 콩쿠르 우승과 더불어 페스티발 상을 받았으며 2003년도 에는 영국 첼튼햄 오케스트라 협연자 콩쿠르에서 우승함으로써 쇼스타코비치 첼로 협주곡1번으로 국제 무대에 데뷔하였다. 그 후 미시건 주립대 시절 Honors competition의 Finalist였으며 미시건 주립대와 듀케인 대학교에서는 전액 장학금 과 수석 첼리스트 에게만 주어지는 (Stanley and Selma Hollander Endowed Scholarship)을 받았으며 첼로 조교(Teaching Assistant)로 학생들을 가르쳤다.   한국예술종합학교 오케스트라 첼로수석과 한국, 러시아 합동 오케스트라 첼로수석을 역임하였으며 러시아와 일본, 미국에서 수많은 실내악과 오케스트라 연주를 하였고 유학시절에는 미시건 주립대 오케스트라 와 듀케인 대학교 오케스트라 첼로수석을 역임하였으며 그 후 미국 마이애미에 있는 뉴월드 심포니 오케스트라(마이클 틸슨 토마스 지휘) 첼리스트로 활동 하였다. KBS 교향악단, 경기필하모닉 오케스트라, 성남시립교향악단, 전주시립교향악단, 청주시립교향악단 과 협연하였고 프라임 필하모닉 오케스트라 수석을 역임하였으며, 서울 솔리스트 첼로앙상블, 하늠 쳄버앙상블, 한국페스티발 앙상블, 헤리티지 앙상블, 앙상블스텐토, 앙상블 소리공감, Bliss 트리오(리더) 에서 다양한 연주활동을 하고 있다.   기전대학교 교수, 한국예술종합학교, 서경대학교, 한세대학교, 예원, 서울예고, 선화예고, 계원예고 에서 후학을 지도하였고 미국 듀케인대학과 우즈베키스탄 Conservatory of Uzbekistan 대학에서 Master Class 와 연주, 2008년에는 저명한 국제콩쿠르 International “Iste’dod” Music Competition of Uzbekistan 에서 심사위원으로 초빙되었다 또한 한국일보콩쿠르, 음연콩쿠르, 음악교육신문사콩쿠르, 음악저널콩쿠르, 에듀클래식콩쿠르, 우진아트홀콩쿠르, 포네클래식 콩쿠르 등…국내 주요콩쿠르 심사위원을 역임하였다.   현재 첼리스트 전경원은 블리스트리오 리더와 미국에서 활동하며 Concert Artist 및 교수로서 마스터클래스와 국제콩쿠르 심사위원으로 활동하고 있다.   Cellist Kyung Won Jeon began learning the cello at the age of 11, and He attended Seoul Arts High School (“SAHS”), Korea’s most prestigious pre-college level classical music and arts school for students of 15-18 years old.  After graduating from SAHS, he was accepted into Korea National University of Arts’ (“KNUA”) Department of Instrumental Music where he studied the cello under Myung-hwa Chung, a world-renowned cellist and the winner of the Geneva International Music Competition. He received a bachelor’s degree and thereafter a master’s degree in music from KNUA.   Upon completing his studies at KNUA, he initially pursued a doctoral degree in cello performance at Michigan State University (MSU) in Lansing, Michigan.  At MSU, he was on a full-tuition scholarship (Stanley and Selma Hollander Endowed Scholarship for First Chair in Cello), and studied under and worked as a teaching assistant to Suren Bagratuni, a world-renowned cellist and the winner of the silver medal at the 1986 International Tchaikovsky Competition.  However, in order to shift his focus of cello performance in the orchestral music context, Kyung Won decided to enroll in the Artist Diploma Program at Duquesne University in Pittsburgh, Pennsylvania, where he, again, was on a full-tuition scholarship and worked as a teaching assistant.  At Duquesne he studied under Anne Martindale Williams, Principal Cellist of the Pittsburgh Symphony Orchestra and a lecturer at Carnegie Mellon and Duquesne universities.  Kyung Won, successfully completed his study and received his Artist Diploma from Duquesne in 2008.   While attending SAHS, Kyung Won won his first major music competition at a relatively young age; he won the first prize at the Chosun Newspaper Competition, Korea’s most prestigious classical music competition.  Three years later, in 1995, he won the first prize at the Korean Festival Ensemble Competition.  In 2002, he competed in his first international music competition, Concerto Competition of Cheltenham Symphony Orchestra in the United Kingdom, and won the first prize. Concerto Competition of Cheltenham Symphony Orchestra also provided him with his debut at the international stage where he played the Cello Concerto No. 1 by Dmitri Shostakovich with Cheltenham Symphony Orchestra.   In addition to his performance with Cheltenham Symphony Orchestra, Kyung Won has performed either as a soloist or with numerous Korean and overseas ensembles and/or orchestras (see Curriculum Vitae for the full list) including but not limited to performance at the Bach Hall in Vienna, Austria, the Tchaikovsky Hall of the Moscow Conservatory in Russia, Fete de la Musique (Music Festival) in Courchevel, France (2002), Osaka University, Japan, The Music Auditorium Building at Michigan State University (2005), Duquesne University Concert Hall (2007 and 2008), Heritage Ensemble String Quartet Foundation Concert at Ceramic Palace Hall, Korea, Jeon Kyung Won Cello Solo Recital at Seoul Arts Center, Korea, HanKyung Philharmonic New Spring Concert at Daegu Arts Center, Korea, and Korea Festival Ensemble Contemporary Music at Seoul Art Center, Korea. Upon returning to Korea in 2008, Kyung Won began teaching at various pre-college level music and arts schools as well as universities.  he was a  adjunct Professor of Kijeon University and also lecturer at Seoul Art High School, SunHwa Art High School, YeoWon School, SAHS (his alma mater),Jeonju University, HanSei University, and SeoKyeong University. He has been invited primary music competitions in Korea as jury member like Hankook news  paper competition, Eumyeon ,Music Journal…etc. Also He was invited one of jury members in International “Iste’dod” Music Competition of Uzbekistan 2018.   In addition to his obligations as an educator, he remains active as a one of the leading young cellists in Korea by regularly holding solo recitals as well as performing in ensemble concerts through his involvement in chamber orchestras and ensembles such as Seoul Solist Cello Ensemble, Heritage Ensemble, Hanum Chamber Ensemble, and Bliss Piano Trio. He is a Professional Concert Artist, Professor and judge of international competition in the world. 전경원 유튜브 채널

현악, 첼로/더블베이스

첼로 베네딕트 클로크너

첼로 베네딕트 클로크너 첼로 베네딕트 클로크너 (Benedict Klöckner) Professor an der Kalaidos Musikhochschule in Zürich, Switzerland 스위스 칼라이도스 음악대학 출강 Founder and artistic director of the International Music Festival Koblenz 코블렌츠 음악 페스티벌 설립자 및 예술 감독 Active as a concert Soloist Artist 전문 솔로이스트 활동 중 https://www.benedictkloeckner.de/en Benedict Kloeckner, born in 1989, has won numerous competitions and awards, most recently the OPUS Klassik 2021.   He is one of the outstanding artists of his generation. He performs worldwide as a soloist with renowned orchestras such as the Royal Philharmonic Orchestra London, the German Radio Philharmonic, the Mozarteum Orchestra Salzburg, the NDR Radio Philharmonic, the MDR Symphony Orchestra, the German State Philharmonic, the Kremerata Baltica, the Camerata Oslo and the Munich Chamber Orchestra and works with them renowned conductors such as Daniel Barenboim, Christoph Eschenbach, Ingo Metzmacher, Michael Sanderling, Clemens Schuldt, Heinrich Schiff and Sir Simon Rattle.   He has made guest appearances in concert halls such as the Berlin Philharmonic, Carnegie Hall New York, Kennedy Center Washington, Symphony Hall Chicago, Arts Center Seoul, Suntory Hall Tokyo, Musikverein Vienna, Gewandhaus Leipzig, Tonhalle Zurich, Gasteig in Munich, the Concertgebouw Amsterdam, the Rudolfinum Prague, the Athenaeum Bucharest and the Barbican, Cadogan and Wigmore Hall London.   In the 2022/2023 season he played all 6 Bach suites in the Berlin Philharmonie and the Alte Oper in Frankfurt. In the 2022/2023 season he will again be a guest at the Berlin Philharmonie, both in a recital with Anna Fedorova and as a soloist in Dvorak’s Cello Concerto with the Portuguese National Orchestra.   Again he plays in the Kennedy Center Washington, this time a world premiere of a new cello concerto by José Elizondo, and gives his debut in the Philharmonie Paris, as well as the Cologne Philharmonie.    He also plays with the Romanian Chamber Orchestra conducted by Cristian Macelaru, the Orchester Dijon Bourgogne conducted by Joseph Bastian, the Filarmonica di Teatro communale di Modena conducted by Henrik Nanasi, the Georgian Chamber Orchestra conducted by Daniel Raiskin, the Panamerican Symphony Orchestra, the Brasov Philharmonic Orchestra and is on tour in Japan and South Africa. There he will premiere a new cello concerto by Bongani Ndodana-Breen together with the Johannesburg Philharmonic Orchestra.   Benedict Kloeckner is a welcome guest at festivals around the world. His chamber music partners have included Emanuel Ax, Lisa Batiashvili, Yuri Bashmet, Christoph Eschenbach, Vilde Frang, Gidon Kremer, Anne Sophie Mutter and Sir András Schiff.   Benedict Kloeckner works regularly with the great contemporary composers of our time. In 2018 he premiered Wolfgang Rihm’s double concerto for 2 cellos and strings.   Together with the Korean Chamber Orchestra under the baton of Christoph Poppen, he premiered Eun Hwa Cho’s Cello Concerto at the Seoul Arts Center. With the Mozarteum Orchestra Salzburg under Peter Tilling, he also performed the Austrian premiere of Dai Fujikura’s cello concerto in Salzburg.   In 2020 he premiered 7 works composed for him by Howard Blake, Elena Kats Chernin, José Elizondo, Dai Fujikura, Geoffrey Gordon, Bongani Ndodana-Breen and Eric Tanguy.   His CD recordings have been highly praised by the international press and have been nominated for the German Record Critics’ Award, among others. Recordings were made in collaboration with artists such as Gidon Kremer, the conductors Heinrich Schiff and Michael Sanderling, the pianists Danae Dörken, Anna Fedorova, Yu Kosuge, Mario Häring, Ragna Schirmer and José Gallardo, the violinists Kirill Troussov, Ragnhild Hemsing, and the Composers Wolfgang Rihm and Howard Blake.   Since 2014, Benedict Kloeckner has been artistic director of the Koblenz International Music Festival IMUKO.   Benedict Kloeckner received his artistic training from Prof. Martin Ostertag at the Karlsruhe University of Music, as well as from Prof. Frans Helmerson and Gary Hoffman at the Kronberg Academy, made possible by the Angela Winkler grant, and Prof. Michael Sanderling. He received important impulses and valuable support for his artistic development from Gidon Kremer, Steven Isserlis and Sir András Schiff.   베네딕트 클로크너 유튜브 채널

현악, 첼로/더블베이스

첼로 남국희

첼로 남국희 첼로 남국희 (Gook-hee Nam) Member of the Neue Philharmonie Westfalen, Germany 독일 뉴 필하모닉 베스트팔렌 단원 https://www.neue-philharmonie-westfalen.de/orchestermitglieder/ 첼리스트 남국희는 10세부터 첼로를 시작하여 서울예술고등학교 재학중 (사사 한성환) 도독, 2005년 Hochschule für Musik& Tanz Köln Standort Wuppertal에서 Prof.Susanne Müller-Hornbach에게  Diplom mit Auszeichnung 을 마치고 2007년 Hochschule für Musik und Darstellende Kunst Frankfurt am Main 에서 Prof.Michael Sanderling을 사사 Konzertexamen (최고연주자 과정) mit Auszeichnung 으로 마쳤다. 이후 2010년 부터 독일 노트라인 베스트팔렌 주립 오케스트라 Neue Philharmonie Westfalen 에서 첼리스트로 활동중이다. 클래식의 본고장인 유럽의 독일에서 학업을 마친후 전문 오케스트라의 정단원 첼리스트로 다양한 오페라와 심포니 음악회에서 오케스트라 뮤지션으로 활동하며 다수의 챔버 음악회와 다양한 레퍼토리 앙상블에서 솔리스트로도 활동중이다. 첼리스트 남국희는 10세부터 첼로를 시작하여 서울예술고등학교 재학중 (사사 한성환) 도독, 2005년 Hochschule für Musik& Tanz Köln Standort Wuppertal에서 Prof.Susanne Müller-Hornbach 에게서 Diplom mit Auszeichnung 을 마치고 2007년 Hochschule für Musik und Darstellende Kunst Frankfurt am Main 에서 Prof.Michael Sanderling을 사사 Konzertexamen (최고연주자 과정) mit Auszeichnung 으로 마쳤다. 이후 2010년 부터 독일 노트라인 베스트팔렌 주립 오케스트라 Neue Philharmonie Westfalen 에서 첼리스트로 활동중이다. 클래식의 본고장인 유럽의 독일에서 학업을 마친후 전문 오케스트라의 정단원 첼리스트로 다양한 오페라와 심포니 음악회에서 오케스트라 뮤지션으로 활동하며 다수의 챔버 음악회와 다양한 레퍼토리 앙상블에서 솔리스트로도 활동중이다.

현악, 첼로/더블베이스

첼로 요나스 크레치

첼로 요나스 크레치 첼로 요나스 크레치 (Jonas Krejci) Principal of the Vienna Chamber Orchestra, Austria 오스트리아 비엔나 챔버 오케스트라 수석 Member of Korngold Ensemble wien, Austria 오스트리아 콘골드 앙상블 리더 

현악, 첼로/더블베이스

첼로 에스텔레 레바즈

첼로 에스텔레 레바즈 첼로 에스텔레 레바즈 (Estelle Revaz) 삭제를 원하시면 마우스 오른쪽 버튼을 누르시구 삭제 하시면 됩니다. Facutly an der Kalaidos Musikhochschule in Zürich, Switzerland 스위스 칼라이도스 음악대학 출강 Active Concert Soloist Artist 전문 솔로이스트 활동 중  https://www.estellerevaz.com   “Estelle Revaz is a sincere and profound musician with great musical curiosity. I greatly enjoyed playing with her and recommend her highly.” – Gautier Capuçon   Estelle has played in many countries across Europe, Asia, Africa and South America. She has been invited to play at festivals such as the Verbier Festival, the Gstaad Menuhin Festival, the Sion Festival, the Festival International de Colmar or the Festival Pablo Casals alongside musical partners such as Gautier Capuçon, Renaud Capuçon, Alexandra Conunova, Raphaëlle Moreau, Tai Murray, Lena Neudauer, Sergey Ostrovsky, Tedi Papavrami, Pierre Génisson, Ralph Manno, Finghin Collins, Anais Crestin, Christian Chamorel, Gaspard Dehaene, François Dumont, François-Frédéric Guy, François Killian, Cédric Pescia or the Quatuor Sine Nomine among many more. She has performed at venues including the Victoria Hall, the Fondation Gianadda, the Musée du Louvre, the NCPA in Beijing, the Oriental Art Center in Shanghai, the CCK in Buenos Aires or the Sodre in Montevideo.   Her orchestral repertoire ranges from the C.P.E Bach concertos to those of Gulda and Ligeti. From the 2017-2018 season for a period of three years, Estelle Revaz will be the artist in residence of the Orchestre de Chambre de Genève, conducted by Arie van Beek. Her many projects include an album centered around the concertos by F. Martin and a world premiere by X. Dayer.   In CANTIQUE (NEOS, 2015), her first release, she performs as soloist in the concertos of E. Bloch (Schelomo) and A. Pflüger (Pitture, world premiere) – an album enthusiastically received by critics. As Le Temps emphasises, “CANTIQUE is a serious, incisive and demanding record where the orchestra and the soloist play with finesse and intelligence in a beautiful musical symbiosis”. Her album Bach & Friends (Solo Musica/Sony 2017) for solo cello was also greeted with great excitement by the specialist classical music press, with Pizzicato writing: “Estelle Revaz presents a demanding programme that she interprets at a very high technical level. The sound is perfectly pure, the phrasing is extremely clear and the dynamics are exceptionally refined”. Following her most recent album, recorded as a duo and entitled FUGATO (Solo Musica/Sony 2017), Le Courrier described Estelle Revaz as “one of the rising stars of a new generation of great artists”, while La Liberté spoke of her “majestic programme in which the cello sings magnificently, at times either powerful or languid”.   Radio and television appearances include national radio stations in France, Belgium, Germany and Switzerland, several visits to the news programs. More recently, Estelle coproduced a five-part radio program called “Estelle et le violoncelle” for Swiss radio Espace 2/Radio Télévision Suisse.   After starting out in Switzerland, Revaz studied in France at the Conservatoire National Supérieur de Musique et de Danse de Paris (Jérôme Pernoo), and in Germany at the Hochschule für Musik und Tanz Köln (Maria Kliegel).   While still very young, Estelle won several awards. The First Prize of the Fondazione Antonio Salieri di Legnago enabled her in 2004-05 to embark on her first tour as a soloist to Italy, Germany and the Netherlands. In addition, her playing was ackowledged by the City of Geneva, the canton of Valais, the Fonds Français Instrumental, the Leenaards, Little Dreams, Dénéréaz, Kremer, Thiébaud-Frey and Patiño Foundations. In 2014, she was admitted to the Verbier Festival Academy and within this context awarded the Rotary Prize.   Since 2015, Estelle has been a member of the “Forum des 100”, a group of personalities considered to be shaping the future of Switzerland.   Since 2017, she has been cello and chamber music teacher at the Kalaidos University for Music in Zurich, Switzerland. Moreover, she loves to give master classes in Europe, Asia and South America. She has recently done research work on “The development of artistic identity in higher instrumental teaching” which was published in March 2019 at Harmattan (in Collection Sciences de l’éducation musicale).   Estelle Revaz currently plays a cello built by G. Grancino (1679) and a bow by J. Eury (1825) that have been provided to her by two generous Swiss patrons. 에스텔레 레바즈 유튜브 채널

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