글쓴이 이름: eugeneonmusic

소프라노 앙케 헤프너 소프라노 앙케 헤프너 (Dr. Anke Hoeppner Ryan) Professor at the University of Sydney, Australia 호주 시드니 음악대학 교수 Artistic Director of the Sydney Art Song Society 호주 시드니 가곡 협회 음악 감독 https://www.sydney.edu.au/music/about/our-people/academic-staff/anke-ryan.html Background: Born, Germany. She studied with Professor Renate Faltin at the Hanns-Eisler Conservatorium in Berlin, graduating with a master’s degree in Performance. She won the first prize in the Hanns-Eisler Liederwettbewerb, the award for the best vocal Graduate in the German Democratic Republic and the Bayreuth Stipendium in 1993. Anke won the inaugural Helpman Award for her lead role as Cio Cio San in Madama Butterfly in 2001, and in 2007 she was again nominated for the Helpman Award for her portrayal of Procne in The Love of the Nightingale. Anke’s operatic repertoire includes Turandot, Tosca, Minni in La Fanciulla del West, the Title role in Madama Butterfly, Mimi in La Boheme, Procne in The Love of the Nightingale, Emilia Marty in Vĕc Makropulos, Leonore in Fidelio, Foreign Princess in Rusalka, the Title role in Iphigénie en Tauride, the Title role in Jenufa, Lucretia Janz in Batavia, Giulietta in Tales of Hoffmann, Elvira in Don Giovanni, Fata Morgana in The Love For Three Oranges, Santuzza in Cavalleria Rusticana, the Hexe in Hänsel und Gretel, Gerhilde and 3rd Norn in Der Ring des Nibelungen. Anke performed at the Komische Oper Berlin, the Staatsoper Berlin, Opera Australia, Opera Queensland, the West Australian Opera, the State Opera of South Australia, the Schleswig-Holsteinisches Landestheater, the Neue Opernbühne Berlin, the Otono Festival in Madrid, the Melbourne International Arts Festival and the Perth International Arts Festival. Anke performed under the batons of some of the world’s leading conductors, including Sir Charles Mackerras, Simone Young, Shao Chia Lü, Carlo Felice Cillario, Patrick Summers, Lionel Friend, Andrea Licata, Johannes Fritzsch, Jörg- Peter Weigle, Aldo Salvagno, Prof. Rolf Reuther, Josef Colaneri and Joachim Willert. Anke worked with leading directors Harry Kupfer, Neil Armfield, Graeme Murphy, Christine Mielitz, Michael Gow, Lindy Hume, Stuart Maunder, Moffatt Oxenbould, Nigel Jamieson and Andrew Sinclair. Concert engagements include soprano solo in Beethoven’s Symphony No.9 with the Tasmanian Symphony Orchestra, Queensland Symphony Orchestra and the Orchestra of the Sydney Conservatorium of Music, Verdi Requiem and Salome with the Orchestra of the Sydney Conservatorium of Music, Liederabende with songs of Schubert, Schumann, Strauss, Schönberg, Zemlinsky and Dvorák in the London Opera Festival, the Komische Oper Berlin, the Melbourne International Music Festival, Barossa Music Festival and Wagner Society NSW; the Brahms Requiem with the Schleswig-Holsteinisches Sinfonieorchester, the Mozart Requiem in the Berliner Philharmonie, Pergolesi’s Stabat Mater with the Neubrandenburg Philharmonic Orchestra and the Schleswig-Holsteinisch Sinfonia Orchestra, and Marie in excerpts from Berg’s Wozzeck with the Philharmonic State Orchestra Halle. Anke Höppner has been broadcast in radio and television by NDR, WDR, ORB and the ABC. Anke is currently lecturing in voice and opera at the Sydney Conservatorium of Music. In April 2019 she was awarded the academic degree of Doctor of Musical Arts by The Sydney University or her research about operatic cover-work.

테너 스테판 모울드 테너 스테판 모울드 (Stephan Mould) Professor at the University of Sydney, Australia 호주 시드니 음악대학 교수 Artistic Director of the Conservatorium Opera 호주 시드니 음대 오페라 음악 감독                        https://www.sydney.edu.au/music/about/our-people/academic-staff/stephen-mould.html                                                                                                  Stephen Mould is a Senior Lecturer in Conducting, Opera Studies and Repetiteurship at the Sydney Conservatorium of Music, and Artistic Director of the Conservatorium Opera.                                            He studied at the Sydney Conservatorium (B Mus, Grad Dip, Repetiteur) and Royal Academy of Music, London before commencing a career as repetiteur, musical assistant and conductor in opera houses in Germany, Belgium, London, USA, Asia and Australia. He was Assistant to the Music Director of Oper Frankfurt (1993-6), returning to Australia in 1996 where he held a number of key positions at Opera Australia, as conductor, musical assistant, and Head Of Music (2004 -8). He has conducted most state orchestras in Australia along with the major orchestras in New Zealand, been engaged by the Sydney, Melbourne and Brisbane Festivals as well as working for most of the State opera companies in Australia, including State Opera of South Australia, assisting on both Wagner Ring Cycles, Parsifal and retaining an association with that company as conductor. He joined the faculty at Sydney University in 2009, and completed his dissertation, Curating Opera in 2016.                                            His research activities centre upon opera and conducting, with a focus from the mid-eighteenth century until the present day. Interests include the history of opera and the rise of the conductor, along with performance practice-based research across both areas; the developing role of the conductor from the late nineteenth century; Richard Wagner; Mozart reception; Gustav Mahler as conductor and opera practitioner; the impact of historically aware performance practice upon the conducting profession; aspects of authenticity, Werktreue and Retuschen; the historical background to the conducted repertoire are all central areas of teaching and research. His teaching of conducting incorporates the study of the marked scores of iconic conductors of the past. The collection and study of such material forms the core of his current research.                                            His book, Curating Opera is awaiting publication, and he is currently at work on his next, Reading Conductors. He has also published in the area of the visual arts, including a monograph on the lives of Dušan and Voitre Marek, two émigré surrealist artists who migrated to Australia in the wake of WW2. This area of study is an ongoing field of study for Dr Mould.                                            Recent and current HDR students have worked on Retuschen in Beethoven’s 9th Symphony; The role of ambiguity in Britten’s The Turn of the Screw; The future role for opera in defining new cultural contexts; and the developing role of the conductor in nineteenth century Italy.

테너 임동석 테너 임동석 Instructor an der Hochschule für Musik und Darstellende Kunst Mannheim, Germany 독일 만하임 국립 음악대학 출강

바리톤 심인성 바리톤 심인성 (In-sung Sim) Former full-time singer of Wiener Staatsoper 빈 국립 오페라 극장 전속 가수 역임 Active around the world, mainly in Europe 유럽을 중심으로 전세계에서 활발한 활동 중                       https://crescendiartists.com/portfolio/insung-sim/                                                                                                   South Korean bass Insung Sim enjoys a successful international career. He is famous for his warm, round, cantabile voice of quality and his noble stage presence.                                                  Insung Sim’s most recent highlights in 2022 and 2023 include (among others)  • Il Re/Aida (with Noseda and Robert Carsen) at Royal Opera House Covent Garden  • a role debut as Palémon/Thaïs at Teatro alla Scala di Milano  • Sarastro/Die Zauberflöte at Opéra Orchestre National Montpellier Occitanie and at Teatro Regio di Torino  • Vodnik/Rusalka at Opéra-Théâtre de Metz Métropole; • Ramfis/Aida at the Israeli Opera Tel Aviv;  • Timur/Turandot at Tokyo Spring Festival  • 1 Soldat/Salome at Teatro Petruzelli di Bari  • Mozart’s Requiem with Malmö Symphony Orchestra.                                               His future highlights include (among others)  • Raimondo/Lucia di Lammermoor and Fasolt/Das Rheingold at Royal Opera House Covent Garden  • Lodovico/Otello and Pope Leone/Attila at Teatro Real de Madrid  • Ramfis/Aida at Teatro La Maestranza de Sevilla, and at the St. Margarethen Festival in Austria  • Bonzo/Madama Butterfly at Teatro Petruzelli di Bari  • King Heinrich the Fowler/Lohengrin at Ópera de Oviedo  • Le Comte des Grieux/Manon at Ópera de Tenerife  • Mozart’s Requiem at the Granada Festival.                                           In 2020 and 2021 Insung Sim’s performances included Il Commendatore/Don Giovanni and Principe di Bouillon/Adriana Lecouvreur at Teatro Petruzelli di Bari; Principe di Bouillon/Adriana Lecouvreur at Ópera Las Palmas de Gran Canaria; Sarastro/Die Zauberflöte at Komische Oper Berlin; Giovanni/Il Corsaro at Opéra de Monte-Carlo; Verdi’s Requiem at Opera Philadelphia in the USA.                                            In recent years the artist also performed Lodovico/Otello at Tokyo Bunka Kaikan, Filipp II/Don Carlo, Fiesco/Simon Boccanegra and Le bailli/Werther in Tel Aviv, Wurm/Luisa Miller and Lodovico/Otello at Opéra de Monte-Carlo, Ramfis/Aida at Festival de Sanxay in France, Timur/Turandot at Teatro Comunale di Bologna, Lodovico/Otello with ROH Covent Garden London and Pappano on Tour to Japan and in London, Ramfis/Aida at Fondazione Arena di Verona, Ferrando/Il Trovatore and Bonzo/Madama Butterfly at Teatro Regio di Torino, Banco/Macbeth in Toulouse, Sarastro/Die Zauberflöte with Komische Oper Berlin on Tour to Japan and also Australia and New Zealand; Sarastro/Die Zauberflöte, Banco/Macbeth and Mozart’s Requiem concerts in Santiago.                                            Other past performances of Insung Sim include Padre Guardiano/La Forza del Destino in Las Palmas, Alvise/La Gioconda at Malmö Opera, Phorbas/Oedipe with Maestro Jurowski at London Philharmonic Orchestra, Verdi Requiem with Fabio Luisi and DR Symfoniorkester, Banco/Macbeth in Teatro Municipale Salerno, Phorbas/Oedipe, Sarastro/Die Zauberflöte, Colline/La bohème, Timur/Turandot and Lodovico/Otello (with Pappano) at Royal Opera House Covent Garden in London, Oroveso/Norma in Essen, La Wally, Attila and Maria Stuarda at Opéra de Monte-Carlo, Sarastro/Die Zauberflöte, Timur/Turandot and Re/Aida at Teatro Regio di Torino (w. Noseda), Wurm/Luisa Miller at Teatro Verdi di Trieste, Matthäus Passion with Copenhagen Royal Chapel Choir, Fafner/Siegfried in Tokyo, Zaccaria/Nabucco at Festival di Caserta, Zaccaria/Nabucco, Commendatore/Don Giovanni and Il Re/Aida in Arena di Verona, Timur/Turandot in Toulouse, Sarastro/Die Zauberflöte and Raimondo/Lucia di Lamermoor in Teatro Filarmonico di Verona, Hunding/Walküre in Tokyo, Nourabad/Les Pêcheurs de Perles and Zaccaria/Nabucco (with Daniel Oren) in Tel Aviv, Sarastro/Zauberflöte with Ottavio Dantone and Marchese di Calatrava/La Forza del Destino with Zubin Mehta at Palau de Les Arts de Valencia, Il Commendatore/Don Giovanni in Montpellier, Die Legende von der Heiligen Elisabeth by F. Liszt at Staatsoper Stuttgart, Rocco/Fidelio at The New Opera in Bergen, Ramfis/Aida and Sarastro/Die Zauberflöte in Santiago, Timur/Turandot at Puccini Festival di Torre del Lago, Sparafucile/Rigoletto in Kristiansand and others.                                                                His 2012-13 season took him to his debut at the National Theater Mannheim, where he sang the role off Fafner and Sarastro. He visited Opera Monte Carlo in the role of Count Rodolfo in La Sonnambula by Bellini. Furthermore, Mr. Sim was seen at Teatro Municipal de Santiago, where he sang the title role of Attila and the role of Papa Leon in Attila by Verdi.                                            In March 2012 Mr. Sim appeared as Timur/Turandot with Trondheim Symphony Orchestra.                                          In the seasons 2008-2010 Mr. Sim has been singing at important venues such as Montpellier Festival, Tokyo Opera Nomori, Teatro Massimo di Palermo and at Glynbourne Festival, where he has been captivating audiences in the roles of Pimen in Boris Godunov and Commendatore in Don Giovanni. In the role as Gustavo in Faramondo he has been visiting the Lausanne Opera, the Opera de Vichy, the Théàtre du Champs Elysees and the Théàtre du Caen. Other roles has been Timur in Puccini’s Turandot at the Savonlinna Festival, Dulcamara at the Seoul Opera,

바리톤 우 헌 바리톤 우 헌 (Hon Woo) Graduated from Konzertexamen at Basino Academy, Italy 이태리 Basino 아카데미 최고연주자과정 졸업 Lecture of Incheon Arts High School, Kyewon Arts Middle and High School, Leader of the michuhol Opera 인천예고, 계원예중‧고 출강, 미추홀오페라단 단장  – 이태리 Brescia 국립음악원 디플로미노  – 이태리 Milano 시립음악원 최고전문연주자과정 졸업  – 이태리 Milano 시립음악원 오페라 앙상블과 졸업 – 이태리 Sondrio 아카데미  최고전문연주자과정 졸업 – 이태리 Milano 아카데미 최고전문연주자과정 졸업  – 이태리 Basiano 아카데미 최고전문연주자과정 졸업 이태리 Firenze 시립극장 상임지휘자 마에스트로 Bruno Rigacci와 협연 제 1회  Milano Opera Festval 에서 “라 보엠” 의 마르첼로 역으로 데뷔 이태리 Milano “Il Pentagramma” 기획사 주최 “라 트라비아타” 주역 오디션 콩쿨 입상 오페라 <라 트라비아타>, <라 보엠>, <사랑의 묘약>, <휘가로의 결혼>, <세빌리아의 이발사>, <마술피리>, <버섯핏자>, <쟌니 스끼끼>, <아말과 밤의 방문자>, <순교자 문준경전도사> 등 수 십회의 오페라 주역, 수 백회 콘서트협연 및 출연 명지대학교 콘서바토리 실기교수 역임 서울신학대학교 성악과 실기 외래교수 역임 현)인천예고, 계원예중,   계원예고 실기강사   이태리가곡연구회 정회원   성악앙상블 Il Cuore 대표   미추홀오페라단 단장

소프라노 김승은 소프라노 김승은 (Seungeun Kim) Graduated from Konzertexamen at Milano Academy, Italy 이태리 밀라노 아카데미 최고연주자 과정 졸업 Lecture of Incheon Arts High School, Kyewon Arts Middle and High Schoo 인천예고 및 부속 영재원, 계원예중‧고 출강 추계예술대학교 성악과 수석졸업  이태리 밀라노 G.Verdi 국립음악원 졸업 이태리 밀라노 아카데미  최고전문연주자 과정 졸업 이태리 Sondrio 아카데미 최고전문연주자과정 졸업 이태리 밀라노 시립음악원 오페라앙상블과 졸업 이대웅장학협회 성악콩쿨 1등수상  MBC문화방송국 주최 우리가곡콩쿨1등수상 중앙음악콩쿨 KBS한전음악콩쿨 입상 이태리 Savona 국제성악콩쿨1등 수상 이태리 Pavia 국제성악콩쿨3등  및 다 수 국제성악콩쿨 입상 국내 외 다 수 시립극장에서 오페라 라트라비아타 나비부인 ,토스카 라보엠 ,세빌리아의 이발사 휘가로의 결혼 아말과 밤의 방문객 쟌니스끼끼 버섯핏자 등 다 수 오페라 주역출연 및  국내 외 시립극장에서  수 회  콘체르토 협연 및 출연 추계예술대학교 외래교수 역임 명지콘써바토리 외래교수역임 ILCuore 성악앙상블 정단원 이태리가곡연구회 정회원 인천예고, 계원예중 계원예고 실기강사, 인천예술고 부속 영재원 실기강사, 전문연주자로 활동중

소프라노 강은희 소프라노 강은희 (Eunhee Kang) Graduated from New England Conservatory with a master’s degree in music 미국 뉴 잉글랜드 음악원 석사 학위 취득 Served as a standing member of Ansan City Choir 안산시립합창단 상임단원 역임 Lecture at Ewha womans university 이화여자대학교 출강

소프라노 배보람 소프라노 배보람 (Boram Bae) Graduated from Hochschule für Musik Freiburg, Germany 독일 프라이부르크 국립음대 연주자과정 졸업 Lecture of Sunhwa arts middle school and High School, Deokwon Arts High School, Sejong Arts High School 선화예술중‧고등학교, 덕원예고, 세종예고 출강                                                                                                                                                                   선화예술 중•고등학교 졸업  한국예술종합학교 음악원 성악과 졸업                                           독일 프라이부르크 국립음대 석사  독일 프라이부르크 국립음대 연주자과정 졸업                                            오페라 마술피리, 사랑의묘약, 팔스타프, 마농, 리골렛토, 헨젤과 그레텔, 쉰살의남자, 일트로바토레등 주•조역 출연                                             국립오페라단 STO 찾아가는 오페라 출연  KBS 교향악단 음악회 “나눔 클로버 콘서트” 협연                                            선화예술중•고등학교, 덕원예고, 세종예고 출강, 전문 연주자로 활동