글쓴이 이름: eugeneonmusic

앙상블 인 레지던스 아론 스트링 콰르텟 앙상블 인 레지던스 아론 스트링 콰르텟 (Aron String Quartet) Quartet in Residence, EONmusic Founded in 1998 by Ludwig Müller, with Barna Kobori, Georg Hamann and Christophe Pantillon, four Viennese musicians     Founded in 1998 by Ludwig Müller, with Barna Kobori, Georg Hamann and Christophe Pantillon, four Viennese musicians The aron quartett was founded in 1998 by Ludwig Müller, Barna Kobori, Georg Hamann and Christophe Pantillon, four Viennese musicians. Their artistic careers have been profoundly influenced by the members of the Alban Berg quartet along with Ernst Kovacic and Heinrich Schiff. Isaac Stern, Max Rostal, William Primrose, Mischa Maisky, Ralph Kirschbaum and Sándor Végh have also played critical roles in furthering their musical careers. The quartet made its debut in Vienna during the year of its foundation, and was highly acclaimed by press and public alike. Since then, the quartet has developed a wide-ranging repertoire – also in collaboration with Heinz Holliger, Heinrich Schiff and members of the Amadeus, LaSalle and Alban Berg quartets. During the year of its foundation, the aron quartett’s intention not only to tackle classical repertoire but also to devote itself to works by the second Viennese school led to an invitation to organize its own cycle of 18th, 19th and 20th century compositions as the quartet in residence at the Arnold Schoenberg Center in Vienna. The aron quartett has also performed together with artists such as Bruno Canino, Oleg Maisenberg, Philippe Entremont, Elisabeth Leonskaja, Alexei Lubimov, Wenzel Fuchs, Daniel Ottensamer, Sharon Kam, Anna Caterina Antoniacci, Ildikó Raimondi, Soile Isokoski, Adrian Eröd and members of the Alban Berg quartet. In 2002, the aron quartett appeared as guest artists as part of the Alban Berg quartet’s cycle in the Vienna Konzerthaus. A busy concert schedule has so far taken the aron quartett through Europe, the USA, Mexico and Japan and to renowned festivals (Viennese Festival Weeks, international String Quartet Festival in Prague, Biennale di Venezia, Schoenberg Festival, “Klangbogen” Festival, Cervantino Festival, Kuhmo Festival, Stresa Festival, Enescu Festival Berlin, Carinthischer Sommer etc.). In 2001, the aron quartett made its debut at the Carnegie Hall in New York, and in 2002 at London’s Wigmore Hall and the Tchaikovsky Conservatoire in Moscow. In 2004, they made their debut at the Vienna Musikverein, where in 2007 they performed Korngold’s complete string quartets and his piano quintet in a four-part cycle. In 2008, the aron quartett founded the Laudon Castle Chamber Music Festival (www.schlosslaudonfestival.at). The quartet celebrated its 10-year anniversary in November 2008 with a very successful concert at the Vienna Konzerthaus. For 2009, the quartet again had an invitation to perform a Haydn – Martinu cycle in the Vienna Musikverein and a three-part Korngold cycle at the Opéra Bastille in Paris. In 2010 and 2011 the quartet participated in numerous festivals in Finland, Israel, Italy, France, Switzerland, Germany, Slovenia, Romania and Argentina. The aron quartett’s first CD was released in 1999 and consists of works by Schubert, Schoenberg, Mozart and Ullmann. In February 2002, a concert by the aron quartett was broadcast throughout Europe by ORF (Austrian broadcast) for the EBU. Other CD recordings include string quartets by Franz Schubert (“Rosamunde” and “Death and the Maiden”, Preiser Records 90549) and a CD box with Arnold Schoenberg’s complete works for string quartet (Preiser Records 90572) for which the aron quartett received the Pasticcio Prize. The international press acclaimed this CD as one of the best recordings of 20th century chamber music. The outstanding interpretation and technical excellence of these recordings not only demonstrate the aron quartett’s exceptional competence but also set new standards. Cascavelle has released the piano quintets by Dvorak and Frank in a recording with Philippe Entremont. For the German label cpo the quartet has recorded the complete string quartets by Erich Wolfgang Korngold as well as the piano quintet with Henri Sigfridsson and in March 2010 the CD (“Paris-Vienne-Moscou 1910 – 2010”) has been released bv Preiser Records. In 2013 cpo published a second CD with works by Korngold (string sextet with Th. Selditz and M. Diaz & Suite op. 23 with H. Sigfridsson) and in 2014 the Kammermusikfestival Schloss Laudon released a recording with works by Schubert, Eisler, Shostakovitch and Horovitz. Another production with cpo label appeared in 2016: The piano quintets by M. Castelnuovo-Tedesco with the pianist Massimo Giuseppe Bianchi. 2019 Bruno Walter‘s String Quartet and Piano Quintet (M. G. Bianchi) will be released by cpo. 아론 스트링 콰르텟 유튜브 채널

앙상블 인 레지던스 콘골드 앙상블 빈 앙상블 인 레지던스 콘골드 앙상블 빈 (Korngold Ensemble) Founded in2019 by 5 renowned artists in Vienna Main emphasis in 20th centuries repertoire  Violin 1 : Ludwig MuellerViolin 2 : Tiffany Pei Hsuan WuViola : Cynthia Liao ZottlCello : Jonas KreciPiano : Catalina Butcaru   After 2 successful concerts at the Arnold Schönberg Center Vienna, the Korngold Ensemble Wien has been invited in the 2021-22 season to perform at prestigious chamber music festivals such as Burghof Chamber Music Festival Klagenfurt, Austria, The Muth in Vienna, and The Spring Festival in Kaohsiung, Taiwan.   Korngold Ensemble Wien was founded in 2019 by five renowned musicans who had already gained success in various chamber music groups. The intention of the ensemble, next to standard repertoire, is to perform less-frequently heard pieces for various formations.   Our main emphasis is the especially rich musical oevre of the 20th century. 콘골드 앙상블 유튜브 채널

바리톤 미하엘 메로우 바리톤 미하엘 메로우 (Michael Meraw) Faculty of New England Conservatory, USA 미국 뉴 잉글랜드 음악원 교수 Artistic Director of the Undergrauate Opera Studio, NEC, USA 미국 뉴 잉글랜드 음악원 Opera Studio 예술감독                      https://www.necmusic.edu/faculty/michael-meraw                                                                                                   Baritone Michael Meraw has performed with companies across North America (including: Pacific Opera Victoria, the Victoria Symphony Orchestra, the Banff Centre, Edmonton Opera, the Richard Eaton Singers, Symphony Regina, the National Arts Centre, the Thirteen Strings, Opéra Atelier, Opera in Concert, Montreal Opera, Seattle Opera, Virginia Opera, and the Boston Symphony Orchestra), in repertoire ranging from Monteverdi and Handel, to Webern and Szymanowski.  Not only has Meraw garnered critical acclaim in the standard repertoire, winning praise for his Figaro in Rossini’s Barber of Seville and Orff’s Carmina Burana, but he has also brought lesser-known works to new audiences through his incisive portrayals of such roles as King Roger by Szymanowski (“Meraw did well as Roger, with nervy urgency and gripping delivery of his increasingly anguished lines…” — Geoff Chapman, The Toronto Star) and Sir John A. MacDonald in Somers’s Louis Riel (“Dealing with a vocal part that veers from sprechgesang to dramatic declamation, baritone Michael Meraw showed great vocal cut and thrust, in addition to contributing a striking stage presence.” — Richard Turp, Opera Canada). Mr. Meraw has performed many of the standard baritone parts in oratorio including Mendelssohn’s Elijah, Orff’s Carmina Burana, Handel’s Messiah, Judas Maccabeas, Joshua and Israel in Egypt, and the Requiem’s of Brahms and Faure.  A regular recitalist, his repertoire spans the baritone repertoire in English, French, German, Italian and Russian.                                            As well as his regular voice studio at New England Conservatory and his responsibilities as the Artistic Director of NEC’s Undergraduate Opera Studio, Mr. Meraw has become a regular Master clinician and adjudicator at several festivals in China, and will be joining the faculty of AIMS in Graz this summer.  Many of his students have gone onto success, winning positions in young artist programs and artist contracts in the United States, Canada and Europe.  Michael’s students can include La Scala, the Chatelet, L’Opera Comique in Paris, Minnesota Opera, St. Louis Opera, Montreal Opera, BBC Proms, the Chicago Symphony Orchestra and the Montreal Symphony Orchestra among their recent credits.                                            Bachelor of Early Music Performance, M. Mus. in Solo Vocal Performance, McGill University. Voice studies with Eva Bostrand, Alan Fast, William Neill, Dixie Ross-Neill, Mark Pedrotti, Lucille Villeneuve-Evans, Dr. Robert K. Evans. Fencing and Stage Combat with Jean-François Gagnon of the National Theatre School of Canada. Ballet and Modern Dance with Daniel Seller, Vincent Warren, and Sasha Belinski at Les Grands Ballet Canadiens. Former faculty of McGill University and l’Unversite de Montreal, where he taught studio voice as well as French and Italian diction and a graduate seminar entitled Vocal Styles and Conventions.

소프라노 올가 마케리나 소프라노 올가 마케리나 (Olga Makarina) Former of Metropolitan Opera soprano solist 미국 메트로폴리탄 오페라하우스 소프라노 솔리스트 역임 Member of The Elena Obraztsova International Music Academy, USA 미국 The Elena Obraztsova International Music Academy 멤버                           https://www.olgamakarina.com/                                                                                                     As the great Giuseppe di Stefano already recognized during Ms. Makarina`s student years at the Mannes School of Music – bel canto repertoire became her trademark and the space in which she has distinctively delivered some of her signature roles and have opened her doors to some of the greatest stages worldwide.Less than a year after winning the Metropolitan Opera Auditions, Ms. Makarina has made her stage debut in New York City opera in the title role of Lucia di Lammermoor. These successful performances marked the beginning of her long and fruitful worldwide career, with her base in New York City, where she sang at The Metropolitan Opera for 18 seasons and was regular on other stages of the city – the New York City Opera, Lincoln Center, Carnegie Hall and where she now has her own studio on Manhattan, where she passionately shares her knowledge with the new generations of opera singers.                                               Ms. Makarina`s portfolio includes impressive number of title and leading roles in some of the most beloved and performed operas of the Italian and French repertoire – Verdi`s Violetta, Gilda and Desdemona; Donizetti’s Lucia Ashton, Adina, Lucrezia Borgia and Anna Bolena; Bellini`s Amina, Elvira, Norma and Imogene; Puccini`s Mimì and Liù; Rossini`s Albina; Massnet`s Manon and Thaïs, Mayerbeer`s Marguerite de Valois, Halevy`s Eudoxie, Bizet`s Micaela, Offenbach`s Olympia and Antonia. She has also made highly acclaimed performances of Mozart`s heroines (Pamina, Vittelia, Donna Elvira, Donna Anna, Ilia, Elletra, Konstanze), R.Korsakov`s Marfa (with Olga Borodina) and Glinka`s Lyudmila; and some of the most demanding roles of contemporary repertoire, written for coloratura soprano: Stravinsky’s The Nightingale, Strauss`s Zerbinetta and Italian singer, Ravel`s The Fire and Respighi`s Princess.                                               Outside New York, she performed on stages all over the world, including the Canadian Opera, Teatro Liceu in Barcelona, Las Palmas Opera, Opera di Roma, Teatro Regio in Rome, Opera La Coruna, Mariinsky Theater, Teatro de Bellas Artes in Mexico City, Teatro Colon in Buenos Aires, Kirov Opera, National Theater in Prague, Slovak National Opera, Opera Pacific, Palm Beach Opera and Warsaw’s Grand Theater.Ms. Makarina performed in highly acclaimed festivals among which are the Spoleto festival, the Cesky Krumlov Festival with the Brno Philharmonic that was televised in Eurovision,  Macau Festival, Rome’s Euro Festival Mediterraneo where she sang a concert of bel canto arias and scenes with Eve Queler and the Malta Symphony at the site of Hadrian’s Villa which was telecast in Italy, and Bard Festival.                                               Ms. Makarina made her stage debut singing Mozart’s C minor mass with Yehudi Menuhin. She has since performed with many top conductors such as James Levine, Valery Gergiev, Zubin Mehta, Nello Santi and Bruno Campanella. Her concert appearances include numerous recitals opera houses and concert halls around the world and performances of soprano solo parts in Verdi`s Requiem, Orf`s Carmina Burana and Catuli Carmina, Mahler’s 2nd and 4th Symphony, Mozart`s Exsultate Jubilate and Coronation mass, Bach`s Cantata 51 for soprano solo, Mendelsons` Elias, Handle`s Messiah, List`s Missa Solemnis and Brahms` German Requiem. She sang the world premiere of Puccini Songs, a new ballet by choreographer, Nilas Martins based on nine songs by Puccini and repeated this work with Ballet San Jose.                                               Ms. Makarina has recorded three solo albums with Romeo Records: Italian Opera Arias, Olga Makarina Sings Liszt, Tchaikovsky, Rachmaninov, and Mozart: Arias; Exsultate, Jubilate. Her performances in Rossini`s La donna dell lago and R. Strauss`s Capriccio from The Met are available as on demand HD videos.                                               Aside from giving private lessons in her studio on on Manhattan, Ms. Makarina travels all over the world to give master classes. She has taught in Israel, Russia, New York and Japan, and is a Management Board Member at The Elena Obraztsova International Academy of Music in St. Petersburg.                                               A graduate of the Mannes School of Music, Ms Makarina also has her Masters in piano and voice from the St Petersburg Conservatory, where she also studied Choral conducting, all of which gave her thorough and multi angled perspective on opera and classical music in general, that is incorporated in the way she perceives music and teaches it. She has won a number of important prizes and awards including the Metropolitan Opera Auditions, the Musicians Emergency Fund and the Liederkranz Competition.                                                                                               Throughout her career she had fantastic mentors in the opera legends such

베이스 민태경 베이스 민태경 (Taekeong Min) · 추계예술대학교 성악과 수석입학 및 졸업   · Indiana University in Bloomington 전문연주자 과정   · 미국 New England Conservatory 석사학위 취득   · 현재 추계예대, 수원과기대 출강, 모테트 합창단 음악코치      모테트 합창단 부지휘자, 성균관대학교 합창단 지휘자  

소프라노 앙케 헤프너 소프라노 앙케 헤프너 (Dr. Anke Hoeppner Ryan) Professor at the University of Sydney, Australia 호주 시드니 음악대학 교수 Artistic Director of the Sydney Art Song Society 호주 시드니 가곡 협회 음악 감독 https://www.sydney.edu.au/music/about/our-people/academic-staff/anke-ryan.html Background: Born, Germany. She studied with Professor Renate Faltin at the Hanns-Eisler Conservatorium in Berlin, graduating with a master’s degree in Performance. She won the first prize in the Hanns-Eisler Liederwettbewerb, the award for the best vocal Graduate in the German Democratic Republic and the Bayreuth Stipendium in 1993. Anke won the inaugural Helpman Award for her lead role as Cio Cio San in Madama Butterfly in 2001, and in 2007 she was again nominated for the Helpman Award for her portrayal of Procne in The Love of the Nightingale. Anke’s operatic repertoire includes Turandot, Tosca, Minni in La Fanciulla del West, the Title role in Madama Butterfly, Mimi in La Boheme, Procne in The Love of the Nightingale, Emilia Marty in Vĕc Makropulos, Leonore in Fidelio, Foreign Princess in Rusalka, the Title role in Iphigénie en Tauride, the Title role in Jenufa, Lucretia Janz in Batavia, Giulietta in Tales of Hoffmann, Elvira in Don Giovanni, Fata Morgana in The Love For Three Oranges, Santuzza in Cavalleria Rusticana, the Hexe in Hänsel und Gretel, Gerhilde and 3rd Norn in Der Ring des Nibelungen. Anke performed at the Komische Oper Berlin, the Staatsoper Berlin, Opera Australia, Opera Queensland, the West Australian Opera, the State Opera of South Australia, the Schleswig-Holsteinisches Landestheater, the Neue Opernbühne Berlin, the Otono Festival in Madrid, the Melbourne International Arts Festival and the Perth International Arts Festival. Anke performed under the batons of some of the world’s leading conductors, including Sir Charles Mackerras, Simone Young, Shao Chia Lü, Carlo Felice Cillario, Patrick Summers, Lionel Friend, Andrea Licata, Johannes Fritzsch, Jörg- Peter Weigle, Aldo Salvagno, Prof. Rolf Reuther, Josef Colaneri and Joachim Willert. Anke worked with leading directors Harry Kupfer, Neil Armfield, Graeme Murphy, Christine Mielitz, Michael Gow, Lindy Hume, Stuart Maunder, Moffatt Oxenbould, Nigel Jamieson and Andrew Sinclair. Concert engagements include soprano solo in Beethoven’s Symphony No.9 with the Tasmanian Symphony Orchestra, Queensland Symphony Orchestra and the Orchestra of the Sydney Conservatorium of Music, Verdi Requiem and Salome with the Orchestra of the Sydney Conservatorium of Music, Liederabende with songs of Schubert, Schumann, Strauss, Schönberg, Zemlinsky and Dvorák in the London Opera Festival, the Komische Oper Berlin, the Melbourne International Music Festival, Barossa Music Festival and Wagner Society NSW; the Brahms Requiem with the Schleswig-Holsteinisches Sinfonieorchester, the Mozart Requiem in the Berliner Philharmonie, Pergolesi’s Stabat Mater with the Neubrandenburg Philharmonic Orchestra and the Schleswig-Holsteinisch Sinfonia Orchestra, and Marie in excerpts from Berg’s Wozzeck with the Philharmonic State Orchestra Halle. Anke Höppner has been broadcast in radio and television by NDR, WDR, ORB and the ABC. Anke is currently lecturing in voice and opera at the Sydney Conservatorium of Music. In April 2019 she was awarded the academic degree of Doctor of Musical Arts by The Sydney University or her research about operatic cover-work.

테너 스테판 모울드 테너 스테판 모울드 (Stephan Mould) Professor at the University of Sydney, Australia 호주 시드니 음악대학 교수 Artistic Director of the Conservatorium Opera 호주 시드니 음대 오페라 음악 감독                        https://www.sydney.edu.au/music/about/our-people/academic-staff/stephen-mould.html                                                                                                  Stephen Mould is a Senior Lecturer in Conducting, Opera Studies and Repetiteurship at the Sydney Conservatorium of Music, and Artistic Director of the Conservatorium Opera.                                            He studied at the Sydney Conservatorium (B Mus, Grad Dip, Repetiteur) and Royal Academy of Music, London before commencing a career as repetiteur, musical assistant and conductor in opera houses in Germany, Belgium, London, USA, Asia and Australia. He was Assistant to the Music Director of Oper Frankfurt (1993-6), returning to Australia in 1996 where he held a number of key positions at Opera Australia, as conductor, musical assistant, and Head Of Music (2004 -8). He has conducted most state orchestras in Australia along with the major orchestras in New Zealand, been engaged by the Sydney, Melbourne and Brisbane Festivals as well as working for most of the State opera companies in Australia, including State Opera of South Australia, assisting on both Wagner Ring Cycles, Parsifal and retaining an association with that company as conductor. He joined the faculty at Sydney University in 2009, and completed his dissertation, Curating Opera in 2016.                                            His research activities centre upon opera and conducting, with a focus from the mid-eighteenth century until the present day. Interests include the history of opera and the rise of the conductor, along with performance practice-based research across both areas; the developing role of the conductor from the late nineteenth century; Richard Wagner; Mozart reception; Gustav Mahler as conductor and opera practitioner; the impact of historically aware performance practice upon the conducting profession; aspects of authenticity, Werktreue and Retuschen; the historical background to the conducted repertoire are all central areas of teaching and research. His teaching of conducting incorporates the study of the marked scores of iconic conductors of the past. The collection and study of such material forms the core of his current research.                                            His book, Curating Opera is awaiting publication, and he is currently at work on his next, Reading Conductors. He has also published in the area of the visual arts, including a monograph on the lives of Dušan and Voitre Marek, two émigré surrealist artists who migrated to Australia in the wake of WW2. This area of study is an ongoing field of study for Dr Mould.                                            Recent and current HDR students have worked on Retuschen in Beethoven’s 9th Symphony; The role of ambiguity in Britten’s The Turn of the Screw; The future role for opera in defining new cultural contexts; and the developing role of the conductor in nineteenth century Italy.

테너 임동석 테너 임동석 Instructor an der Hochschule für Musik und Darstellende Kunst Mannheim, Germany 독일 만하임 국립 음악대학 출강

바리톤 심인성 바리톤 심인성 (In-sung Sim) Former full-time singer of Wiener Staatsoper 빈 국립 오페라 극장 전속 가수 역임 Active around the world, mainly in Europe 유럽을 중심으로 전세계에서 활발한 활동 중                       https://crescendiartists.com/portfolio/insung-sim/                                                                                                   South Korean bass Insung Sim enjoys a successful international career. He is famous for his warm, round, cantabile voice of quality and his noble stage presence.                                                  Insung Sim’s most recent highlights in 2022 and 2023 include (among others)  • Il Re/Aida (with Noseda and Robert Carsen) at Royal Opera House Covent Garden  • a role debut as Palémon/Thaïs at Teatro alla Scala di Milano  • Sarastro/Die Zauberflöte at Opéra Orchestre National Montpellier Occitanie and at Teatro Regio di Torino  • Vodnik/Rusalka at Opéra-Théâtre de Metz Métropole; • Ramfis/Aida at the Israeli Opera Tel Aviv;  • Timur/Turandot at Tokyo Spring Festival  • 1 Soldat/Salome at Teatro Petruzelli di Bari  • Mozart’s Requiem with Malmö Symphony Orchestra.                                               His future highlights include (among others)  • Raimondo/Lucia di Lammermoor and Fasolt/Das Rheingold at Royal Opera House Covent Garden  • Lodovico/Otello and Pope Leone/Attila at Teatro Real de Madrid  • Ramfis/Aida at Teatro La Maestranza de Sevilla, and at the St. Margarethen Festival in Austria  • Bonzo/Madama Butterfly at Teatro Petruzelli di Bari  • King Heinrich the Fowler/Lohengrin at Ópera de Oviedo  • Le Comte des Grieux/Manon at Ópera de Tenerife  • Mozart’s Requiem at the Granada Festival.                                           In 2020 and 2021 Insung Sim’s performances included Il Commendatore/Don Giovanni and Principe di Bouillon/Adriana Lecouvreur at Teatro Petruzelli di Bari; Principe di Bouillon/Adriana Lecouvreur at Ópera Las Palmas de Gran Canaria; Sarastro/Die Zauberflöte at Komische Oper Berlin; Giovanni/Il Corsaro at Opéra de Monte-Carlo; Verdi’s Requiem at Opera Philadelphia in the USA.                                            In recent years the artist also performed Lodovico/Otello at Tokyo Bunka Kaikan, Filipp II/Don Carlo, Fiesco/Simon Boccanegra and Le bailli/Werther in Tel Aviv, Wurm/Luisa Miller and Lodovico/Otello at Opéra de Monte-Carlo, Ramfis/Aida at Festival de Sanxay in France, Timur/Turandot at Teatro Comunale di Bologna, Lodovico/Otello with ROH Covent Garden London and Pappano on Tour to Japan and in London, Ramfis/Aida at Fondazione Arena di Verona, Ferrando/Il Trovatore and Bonzo/Madama Butterfly at Teatro Regio di Torino, Banco/Macbeth in Toulouse, Sarastro/Die Zauberflöte with Komische Oper Berlin on Tour to Japan and also Australia and New Zealand; Sarastro/Die Zauberflöte, Banco/Macbeth and Mozart’s Requiem concerts in Santiago.                                            Other past performances of Insung Sim include Padre Guardiano/La Forza del Destino in Las Palmas, Alvise/La Gioconda at Malmö Opera, Phorbas/Oedipe with Maestro Jurowski at London Philharmonic Orchestra, Verdi Requiem with Fabio Luisi and DR Symfoniorkester, Banco/Macbeth in Teatro Municipale Salerno, Phorbas/Oedipe, Sarastro/Die Zauberflöte, Colline/La bohème, Timur/Turandot and Lodovico/Otello (with Pappano) at Royal Opera House Covent Garden in London, Oroveso/Norma in Essen, La Wally, Attila and Maria Stuarda at Opéra de Monte-Carlo, Sarastro/Die Zauberflöte, Timur/Turandot and Re/Aida at Teatro Regio di Torino (w. Noseda), Wurm/Luisa Miller at Teatro Verdi di Trieste, Matthäus Passion with Copenhagen Royal Chapel Choir, Fafner/Siegfried in Tokyo, Zaccaria/Nabucco at Festival di Caserta, Zaccaria/Nabucco, Commendatore/Don Giovanni and Il Re/Aida in Arena di Verona, Timur/Turandot in Toulouse, Sarastro/Die Zauberflöte and Raimondo/Lucia di Lamermoor in Teatro Filarmonico di Verona, Hunding/Walküre in Tokyo, Nourabad/Les Pêcheurs de Perles and Zaccaria/Nabucco (with Daniel Oren) in Tel Aviv, Sarastro/Zauberflöte with Ottavio Dantone and Marchese di Calatrava/La Forza del Destino with Zubin Mehta at Palau de Les Arts de Valencia, Il Commendatore/Don Giovanni in Montpellier, Die Legende von der Heiligen Elisabeth by F. Liszt at Staatsoper Stuttgart, Rocco/Fidelio at The New Opera in Bergen, Ramfis/Aida and Sarastro/Die Zauberflöte in Santiago, Timur/Turandot at Puccini Festival di Torre del Lago, Sparafucile/Rigoletto in Kristiansand and others.                                                                His 2012-13 season took him to his debut at the National Theater Mannheim, where he sang the role off Fafner and Sarastro. He visited Opera Monte Carlo in the role of Count Rodolfo in La Sonnambula by Bellini. Furthermore, Mr. Sim was seen at Teatro Municipal de Santiago, where he sang the title role of Attila and the role of Papa Leon in Attila by Verdi.                                            In March 2012 Mr. Sim appeared as Timur/Turandot with Trondheim Symphony Orchestra.                                          In the seasons 2008-2010 Mr. Sim has been singing at important venues such as Montpellier Festival, Tokyo Opera Nomori, Teatro Massimo di Palermo and at Glynbourne Festival, where he has been captivating audiences in the roles of Pimen in Boris Godunov and Commendatore in Don Giovanni. In the role as Gustavo in Faramondo he has been visiting the Lausanne Opera, the Opera de Vichy, the Théàtre du Champs Elysees and the Théàtre du Caen. Other roles has been Timur in Puccini’s Turandot at the Savonlinna Festival, Dulcamara at the Seoul Opera,

바리톤 우 헌 바리톤 우 헌 (Hon Woo) Graduated from Konzertexamen at Basino Academy, Italy 이태리 Basino 아카데미 최고연주자과정 졸업 Lecture of Incheon Arts High School, Kyewon Arts Middle and High School, Leader of the michuhol Opera 인천예고, 계원예중‧고 출강, 미추홀오페라단 단장  – 이태리 Brescia 국립음악원 디플로미노  – 이태리 Milano 시립음악원 최고전문연주자과정 졸업  – 이태리 Milano 시립음악원 오페라 앙상블과 졸업 – 이태리 Sondrio 아카데미  최고전문연주자과정 졸업 – 이태리 Milano 아카데미 최고전문연주자과정 졸업  – 이태리 Basiano 아카데미 최고전문연주자과정 졸업 이태리 Firenze 시립극장 상임지휘자 마에스트로 Bruno Rigacci와 협연 제 1회  Milano Opera Festval 에서 “라 보엠” 의 마르첼로 역으로 데뷔 이태리 Milano “Il Pentagramma” 기획사 주최 “라 트라비아타” 주역 오디션 콩쿨 입상 오페라 <라 트라비아타>, <라 보엠>, <사랑의 묘약>, <휘가로의 결혼>, <세빌리아의 이발사>, <마술피리>, <버섯핏자>, <쟌니 스끼끼>, <아말과 밤의 방문자>, <순교자 문준경전도사> 등 수 십회의 오페라 주역, 수 백회 콘서트협연 및 출연 명지대학교 콘서바토리 실기교수 역임 서울신학대학교 성악과 실기 외래교수 역임 현)인천예고, 계원예중,   계원예고 실기강사   이태리가곡연구회 정회원   성악앙상블 Il Cuore 대표   미추홀오페라단 단장