피아노

피아노 레브 나토체니 피아노 레브 나토체니 (Lev Natochenny) Professor Emeritus an der Hochschule für Musik und Darstellende Kunst Frankfurt, Germany 독일 프랑크푸르트 국립 음악대학 석좌 교수 Professor an der Kalaidos Musikhochschule in Zürich, Switzerland 스위스 칼라이도스 음악대학 교수 “a genius in his creativity” – Frankfurter Allgemeine Zeitung   Youtube Link : https://www.youtube.com/user/TheCookie30 Website Link : http://www.natochenny.com Lev Natochenny is an artist who defies simple classification. Described as a “real genius in his creativity” by European critics and a “rare master of his instrument” by New York critics, he combines innovation and intelligence, technical brilliance and attention to details of the musical text, and above all emerges with an astonishingly independent musical personality. Influenced by the greatest artists as Sviatoslav Richter and David Oistrakh, Lev Natochenny received his formal education from the famed Moscow Conservatory in the class of eminent professors Lev Oborin and Boris Zemliansky.  Having been recognized early for his unusually mature and inspired interpretations and mastery of the instrument Mr. Natochenny became the Assistant to Prof. Lev Oborin at an unheard of age of 19. He went on to receive his Diploma with Honors from the same Conservatory, where he continued to develop his taste for uncommonly independent style recognized by critics and audiences alike Subsequent honors, including Gold Medal “with particular distinction” in a scandal-marred 1981 F. Busoni International Piano Competition, First Prize in Young Artists International Piano Competition and Gina Bachauer Award, led to concert appearances in major halls throughout Europe and the United States with major American orchestras and most recently with Russian National Orchestra as both pianist and conductor. During these concert tours Lev Natochenny developed a particular affinity for chamber music with its special refinement and delicate intimacy. Performances with other world-class artists including cellist Mischa Maisky, clarinettist Stanley Drucker, violist Toby Hoffman, pianist Vladimir Feltsman, bassist Rustem Gabdullin, Penderecki, Ciurlionis quartet and collaborations with major orchestras such as New York Philharmonic, Baltimore and Indianapolis Symphonies followed. In addition to concertizing, Mr. Natochenny maintains a rigorous teaching schedule, with his students ranging from exceptionally talented youngsters to accomplished young professionals, most of them winners of national and international competitions. Prof. Natochenny’s class is a rare, if not the only piano class where current students have contracts with 3 major recording labels: EMI Classics, SONY/BMG Classical and Deutsche Grammophon. Deeply scholarly, with a keen and comprehensive mind, Professor Natochenny has gained recognition for his spontaneous and personal approach to music and for his absolute dedication to his students, which has led to appointments to piano faculties of Manhattan School of Music,  The Mannes College of Music, professorial position at City University of New York and a position of Distinguished Professor of Piano at the Hochschule für Musik (Music Academy) in Frankfurt am Main, Germany in addition to master classes in the U.S., Canada and in Europe, including such Eastern European countries as Yugoslavia, Lithuania, Hungary and adjudications in national and major international competitions such as “Busoni”/Bolzano, “Sydney”, “Cincinnati”, “Ennio Porrino”/Cagliari, “Yerevan” and others. In 1990 Lev Natochenny created a unique music forum for the most creative artists of all generations – Meranofest International Music Festival and Academy for Superior Piano Performance Studies – where the highest level of music making and preparation of young talent go hand in hand. After only two seasons Meranofest was already recognized as an important festival and listed in Milan’s “Guide to 100 most important festivals” with over  200 rave reviews of its concerts and master classes. For the “Edizione Meranofest” Lev Natochenny has recorded an unusual combination of Schubert Piano Sonata and Brahms Piano Quintet, a compact disc, critical acclaim of which led to a second disc for “Marquis Classics” with baritone Kevin McMillan. This disc received a JUNO Nomination for the best classical disc of 1994. The next CD for “Marquis Classic” was released in 1996 with music of Schnittke and Schostakovich. In addition to these recordings Lev Natochenny has previously recorded for “Nuova Era” and “Newport Classic” labels. RAI, Italian TV made a portrait of Lev Natochenny in 2004 and HR, German TV made a portrait of the artist in 2005. He can also be heard on WQXR, WNYC and RAI, Italian Radio and Television Network. Currently Prof. Natochenny is on the faculty of the Kalaidos Muskihochschule in Switzerland and the Founder and Artistic Director of the “International Piano Institute for Superior Performance Studies” in Bad Homburg, Germany. 레브 나토체니 유튜브 채널1 레브 나토체니 유튜브 채널2 레브 나토체니 유튜브 채널3 레브 나토체니 유튜브 채널4 레브 나토체니 유튜브 채널5 레브 나토체니 유튜브 채널6

피아노 엘다 네볼신 피아노 엘다르 네볼신 (Eldar Nebolsin) Professor an der Hochschule für Musik Hanns Eisler in Germany 독일 한스 아이슬러 국립 음악대학 교수 Professor at Barenboim-Said Academy in Seville, Spain 스페인 세비야 바렌보임-사이드 아카데미 교수  Also described by the Gramophone Magazine as “virtuoso of power and poetry”, Eldar Nebolsin is considered one of the most versatile and interesting musicians of his generation. Since 2013, after getting a position as Professor at the piano faculty of the Hanns Eisler school of Music, Eldar is actively engaged in teaching. His students already won several top prizes on the leading competitions like Santander, Tel-Aviv Rubinstein, Chopin Warsaw, Montreal, Gina Bachauer, Geneva or the Grieg international piano Competitions. A former student of renowned Russian pianist and teacher Dmitri Bashkirov, Eldar currently records for the Naxos label. His debut album, Rachmaninov’s Preludes op 23 and 32 earned the Classicstoday.com praise “close to stunning … Nebolsin’s is a truly exceptional excursion into the music of Rachmaninov “, while his second album released the following year, both Liszt Piano Concertos and Totentanz with the Liverpool Philharmonic and Vasily Petrenko,earned top place on Naxos’ Bestseller’s Digital Platform for six consecutive months. The next albums for Naxos were Ernst von Dohnanyi ́s Variations of Nursery Theme, with the Buffalo Philharmonic Orchestra and Jo-Ann Falletta released in May 2010, and Chopin’s allworks for piano and orchestra with the Warsaw Philharmonic and Antoni Wit released in August 2010 followed by a solo album of works by Schubert released in the summer of 2011. The piano quartets by Brahms are soon to follow. Earlier recordings include two albums for Decca – a solo works by Chopin and Liszt, and Chopin’s Piano Concerto with the DeutschesSymphony Orchester Berlin and Vladimir Ashkenazy. Some of Eldar’s more recent engagements are re-invitations to the Royal Liverpool Philharmonic Orchestra under the baton of Vasily Petrenko and Alexander Shelley, an all-Liszt evening Lisbon with Jaime Martin, his debut with Helsinki Philharmonic under the direction of Ralf Gothoni, and a recital tour in Canada and USA with Eldar’s frequent partner, Maxim Rysanov, viola, as well as his debut with MDR Symphony Orchestra and Jun Markl at the Gewandhaus Leipzig, and a tour throughout Spain performing Listz’s 2nd Piano concerto withthe Royal Seville Philharmonic Orchestra. Eldar also returned for the third time to perform with London’s Royal Philharmonic Orchestra, this time sharing the stage with Josep Caballé-Domenech. He debuts in both recital and concerto repertoire in Brisbane, Australia, as well as in Taiwan and is invited to perform at the famous Spectrum concerts and festival in Utrecht next to Janine Jansen. In the Chamber Music field, Eldar collobarates with some of the world’s most renowned musicians such as Julian Rachlin, Maxim Rysanov, Janine Jansen, Gary Hoffman, Jens Peter Mainz. Recent chamber music engagements include performances with the Leipziger Streichquartett, Barnabas Kelemen, Miklos Perennyi, Alexander Melnikov and Wolfgang Emmanuel Schmidt. In 2005 Eldar Nebolsin was unanimously awarded the Sviatoslav Richter Prize in the 1st edition of the International Piano Competition in Moscow where he was also honored with the special Award for the best Classical Concerto performance. Eldar’s international performances have taken him to the stages of some of the most famous orchestras of the world – New York Philharmonic Orchestra, the Chicago Symphony Orchestra, Deutsches Symphonie Orchester, Vienna Chamber Orchestra, Orchestre de Paris, Gulbenkian Foundation Orchestra, Orchestra di Santa Cecilia in Rome, Tokyo Metropolitan Orchestra, Sydney Symphony Orchestra, Sankt Petersburg Philharmonic Orchestra and Moscow Philharmonic Orchestra with outstanding conductors such as Mstislav Rostropovich, Ricardo Chally, Yuri Temirkanov, Leonard Slatkin, Charles Dutoit, Vladimir Ashkenazy, Vasili Petrenko, Nikolaj Alexeev, Vladimir Spivakov or Lawrence Foster amongst many others. Eldar lives with his family in Berlin since the 2013.  엘다르 네볼신 유튜브 채널

피아노 피오트르 팔레치니 피아노 피오트르 팔레치니 (Piots Paleczny) Professor Emeritus at Fryderyk Chopin University of Music, Poland 폴란드 쇼팽 국립 음악대학 명예 교수 Professor an der Kalaidos Musikhochschule in Zürich, Switzerland 스위스 칼라이도스 음악대학 교수 One of the most outstanding Polish pianistsand professors, laureate of five international piano competitions. He completedpiano studies at the Frederick Chopin Music University in Warsaw in the classof prof. Jan Ekier. The opportunity of having artistic contact with ArthurRubinstein and Witold Lutoslawski also had a huge impact on the finaldevelopment of his artistic personality. His success achieved at the 8th FrederickChopin International Piano Competition opened to Piotr Paleczny the doors ofmany prestigious world concert halls. Receiving, in company of Garrick Ohlssonand Mitsuko Uchida – the Third Prize, the Special Prize for the bestperformance of a Polonaise and the Witold MałcużyńskiPrize his career, which the artist has enjoyed constantly until now performingconcerts on all continents. He performed as a soloist with suchprominent orchestras as the Chicago Symphony, Concertgebouw, RoyalPhilharmonic, BBC Symphony Orchestra, Gewandhaus, Tonhalle Orchester Zürich,RAI, Santa Cecilia, Orquesta Sinfónica Nacional de Mexico, Orquesta SinfónicaNacional de Argentina and Orquesta Nacional de España…. and many other famousorchestras. He gave concerts in prestigious concerthalls including the Carnegie Hall, the Alice Tully Hall and the UN GeneralAssembly Hall in New York, the Orchestra Hall in Chicago, Suntory Hall inTokyo, Berliner Philharmonie, Gewandhaus in Leipzig, Teatro Colon in BuenosAires, Musikverein in Vienna, Concertgebouw in Amsterdam, the Royal FestivalHall in London and Festspielhaus in Salzburg. He has held master classes in New York,Tokyo, Sydney, Buenos Aires, Fort Worth, Bordeaux, Paris, Seoul, Beijing,Brescia, Madrid, Amsterdam, Hamamatsu, Montevideo, Mexico City… He has gained agreat recognition as a juror at the prestigious international pianocompetitions such as those organized in Warsaw (seven last editions of theChopin Competition), Leeds, Montreal, Moscow (Tchaikovsky – in 2002 and inJune, 2019), Paris, A.Rubinstein in Tel Aviv, London, Cleveland, Geneve,Hamamatsu, Toronto, Tokyo, Takamatsu, Seoul, Salt Lake City, Minneapolis,Santander, Sendai, Taipei, Weimar, Manchester, Shezhen, Los Angeles, HiltonHead… In July 2007, he led the Jury works at theprestigious piano competition in Cleveland, thus he was the first and only Poleinvited to fulfill a function of Jury chairman at the USA international pianocompetitions. On 5 November 2001, Piotr Paleczny wasinvited to be a soloist of the extraordinary Gala Concert to commemorate the100th Anniversary of the Warsaw National Philharmonic Orchestra. Since 1993 he has been Artistic Director ofthe world’s oldest existing piano festival – the Duszniki International Chopin PianoFestival and since 2004 he also is the Artistic Director of the InternationalPaderewski Piano Competition in Bydgoszcz. In 2015 the National F.Chopin Institute hasreleased highly awaited CD recorded by Piotr Paleczny – all Chopin recital which became a hugesuccess among critics and the audience. Piotr Paleczny conducts the piano classat the Frederick Chopin University of Music in Warsaw. His students have wondozens of awards at the most important international and national pianocompetitions. Currently he is also Professor at the Talent Music Academy inBrescia, Italy. Member of the executive committee of the International PianistsAssociation. In March 2017, Piotr Paleczny was awardedwith prestigious Diploma and Title of Honorary Professor of the F.ChopinUniversity of Music. In April 2017, the Board of the PolishPhonographic Academy, in recognition of his artistic achievements, awarded himwith the most prestigious ‘Golden Fryderyk’ Award. In September 2018, Piotr Paleczny receivedan extraordinary and unique prize – The C.K. Norwid Award “Work ofLife” The artist is honored with many superior andprestigious Polish and foreign states decorations, such as the Commander’sCross of the Order of Polonia Restituta and the Mexican Order of the AguilaAzteca. In September 2005, Piotr Paleczny was awarded the highest Polishartistic distinction – „Gold Medal for Merit to Culture – Gloria Artis”. In2019 – the Government of Japan awarded Piotr Paleczny one of the highestjapanese honors – Order of the Rising Sun, Golden Rays with Ribbon   피오트르 팔레치니 유튜브 채널

피아노 안드레아스 프롤리히 피아노 안드레아스 프롤리히 (Andreas Froelich) Professor an der Hochschule für Musik und Tanz Köln,Aachen, Germany 독일 아헨 국립 음악대학 교수 Professor an der Kalaidos Musikhochschule in Zürich, Switzerland 스위스 칼라이도스 음악대학 교수 German pianist Andreas Frölich studied withStefan Askenase , Vitaly Margulis in Freiburg and Pavel Gililov in Cologne . Hewas prizewinner of several international piano competitions , as in Senigallia, Finale Ligure ,Vienna , Milano, and many others… He concertises in the mostfamous venues in Europe, South America, Asia, South Africa and Australia likeConcertgebouw Amsterdam, Musikverein Wien, Solitär Salzburg, Teatro ColónBuenos Aires, Cologne Philharmonie, Munich Philharmonie“Gasteig”,Konzerthaus Berlin, Hamburg Musikhalle, Bielefeld Oetkerhalle,Stuttgart Liederhalle, Wiesbaden Kurhaus, Teatro municipal Rio de Janeiro,Teatro Alfa y Cultura artistica Sao Paolo, de Doelen Rotterdam , VredenburgUtrecht, Salle Gaveau Paris,Caroussel de Louvre Paris, Mozarteum Salzburg andmany others as well as in the most important music fertivals , such as RheingauMusikfestival, Schleswig Holstein Musikfestival, Salzburg, Emilia RomagnaFestival, Schubertiade Roskilde and many other Festivals worldwide. As a soloist Andreas Frölich appeared withmany famous orchestras , among them Salzburg Chamber Soloists, WienerKammerphilharmonie, Stuttgarter Kammerorchester, Deutsche Kammerakademie Neuss,Münchener Kammerorchester, Colegium instrumentale Halle, Beethoven OrchesterBonn, Rheinische Philharmonie Koblenz ,Klassische Philharmonie Bonn,Würtembergisches Kammerorchester , Suk Chamber orchestra Prag ,orquestasinfonica de Monterrey /Mexico , Armenian Philharmonic Orchestra, JohannesburgPhilharmonic, St. Petersburg Philharmonic, Russian Philharmonic Moskau, RadioSymphonique Luxembourg, orquesta sinfonica di San Remo, LutoslawskiPhilharmonie Wroclav, Stettin Philharmonic, Orchestre de Bretagne ,ConcertoMálaga, Thüringer Philharmoniker, Kurpfälzisches Kammerorchester Mannheim,Joenssu sinfonic / Finnland, Kuopio symphonic orchestra/ Finnland , KyimiSinfonietta Finnland, Talinn chamber orchestra, Kammerphilharmonie Amadé,Philharmonic orchestra of Europe, Heidelberger Sinfoniker, VogtlandPhilharmonie, National Philharmonic of Peru, Orchestre de Caen/France ,orquesta filarmonica Montevideo … Andreas Frölich is pianist of theMendelssohn Trio Berlin and he often performed with Ensemble Wien led by theconcertmaster of the Vienna Philharmonic. He recorded for many national (inGermany) and international radio stations and released more than 40 CD´s ( anumber of them award winning)  fordifferent labels like , OEHMS CLASSICS, CPO, EMI, BMG, Divox, Signum, Fono. Andreas Frölich is artistic director and chairman  of the international MozArte piano competition Aachen, artistic director of the “MozArte “international music Festival and artistic leader of  the “Orpheo concert series ” foryoung prizewinners in Kerkrade/NL. He is professor at the Hochschule für Musik undTanz Köln -Aachen and Kalaidos Musikhochschule Zürich  and guest professor at the Talent musicMasters academy in Brescia, at the international summeracademy Mozarteum Salzburg,the Euro Arts academy , the Online Piano Masterclass Academy in Spain and hegives  masterclasses worldwide .In thelast years his students won more than 100 prizes (first and second) atinternational piano competitions. He is often inivited as jury member in manyinternational piano competitions (Madrid, Beethoven competition Bonn, Valencia,Ferrol,  Granada , Enschede/NL, Brussels, Japan piano open / Tokyo ,Campillos/ Spain, Larnaca/Cyprus, Gorizia/ Italy , Skrjabin, Grosseto, Hongkong/Guanghzhou, La Rioja/Spain, Russian Int.piano Competition). Andreas Frölich isan official Steinway Artist ..   안드레아스 프롤리히 유튜브 채널

피아노 조나단 바스 피아노 조나단 바스 (Jonathan Bass) Professor at New England Conservatory of Music, USA 미국 뉴 잉글랜드 음악원 교수 Professor at Boston Conservatory at Berklee, USA   미국 보스턴 음악원 교수   Americanpianist Jonathan Bass appears frequently throughout the United Statesand around the world as soloist and chamber musician.  A Steinway Artist, Bass made his New Yorkdebut at Carnegie Hall’s Weill Hall after he was awarded First Prize in the1993 Joanna Hodges International Piano Competition.  He is a regular presence at Symphony Hall andJordan Hall in Boston, and at Tanglewood. His solo and chamber music recordinghave received high acclaim from Gramophone Magazine. Internationally, he hasperformed in China, Israel, Japan, Lithuania, Poland, Spain, and Russia.  He has been featured on many radio programsthroughout the United States, including National Public Radio’s ‘PerformanceToday’.  Bass has performed as concertosolo soloist with numerous orchestras, including the Boston Pops at SymphonyHall and the North Carolina Symphony at the Appalachian Summer Festival. Othercompetition prizes include First Prizes in the 1984 American National ChopinCompetition, the 1989 American Pianists Association Beethoven FellowshipCompetition, and the 1983 National Arts Club Competition.  He also received Second Prizes in the 1993 WashingtonInternational Competition and in the 1983 Young Keyboard Artists Competition, andthe Bronze Medal and Mozart Prize at the 1987 Robert Casadesus InternationalPiano Competition.  Collaborativehighlights include multiple guest appearances with the Boston Symphony ChamberPlayers, and recitals with many past and present members of the BostonSymphony, including violinist Joseph Silverstein and cellist Jules Eskin. Healso partners with his wife, BSO violinist Tatiana Dimitriades, in the BostonDuo.  For more than 20 years, as thepianist and a founding member of the Walden Chamber Players, he performed on avariety of chamber music series and residencies across the United States and Canada.  Mr. Bass has also performed as orchestralkeyboardist with the Boston Symphony Orchestra in at Tanglewood, at SymphonyHall, at Carnegie Hall, and on two European Festival tours under conductorsRoberto Abbado, Christoph von Dohnanyi, Bernard Haitink, and Seiji Ozawa.  Other conductors he has worked with includeCharles Dutoit, Jacque Lacombe, Louis Lane, Keith Lockhart, Marcelo Lehninger,Ludovic Morlot, Ronald Knudsen, and Thomas Wilkins. Agraduate of the Juilliard School, where he studied with Adele Marcus and SashaGorodnitski. Jonathan Bass holds a Doctor of Music degree from the IndianaUniversity School of Music, where he studied with, and was teaching assistantto, Menahem Pressler.  He also studied atthe Moscow Conservatory in Russia.  Bassis a Professor of Piano at Boston Conservatory at Berklee, where he has servedon the faculty since 1993.  He alsoteaches at New England Conservatory in the Preparatory School. His studentshave won many competition prizes, and he has given numerous master classesthroughout the United States and around the world. Forfurther information, visit jonathanbass.net 조나단 바스 유튜브 채널

피아노 랄프 나트켐퍼 피아노 랄프 나트켐퍼 (Ralf Nattkemper) Professor an der Hochschule für Musik und Theater Hamburg, Germany 독일 함부르크 국립 음악대학 교수 Professor an der Kalaidos Musikhochschule in Zürich, Switzerland    스위스 칼라이도스 음악대학 교수 Ralf Nattkemper is highly regarded throughout Europe as a German pianist conveying modern German pianism. Born in West Germany he studied with Max Martin Stein, Yara Bernette, Fausto Zadra and Wilhelm Kempff.  His recitals leaded him in most countries of Europe, Germany, the Netherlands, Belgium, France, Spain, Italy, Bulgaria, Austria, Switzerland as well to Venezuela, Japan and China. He has also performed at music festivals such as Hamburg, Venice, Verona, Lausanne, Assisi, Caracas, Valony. He performed concerts with the Lausanne Chamber Orchestra, Hamburg Symphony Orchestra, Bulgarian Radio Symphony Orchestra, Romanian National Radio Symphony Orchestra and others. Recitals and concerts are widely introduced throughout Europe on television and radio. At the 100th anniversary ceremony in Brahms birthplace Hamburg he was the only pianist invited to play Brahms’ Piano Concerto No.1. As a soloist, he has a wide repertoire from Baroque to Messiaen, with a special emphasis on the German classical and romantic repertory. He is also active in chamber music activities and has performed with Mark Lubotsky, Leonid Peysahov, and Hirofumi Fukai and others. Released CDs with works from Beethoven (op.106,109-111, 120), Schubert (last sonatas) and Schumann (op.17) and Liszt (Sonata). As an educator, he has contributed to European piano education for many years. At the age of 31, he became the youngest professor at the Hamburg University of Music and Theater, and then headed the instrumental department of the same university for 11 years and the head of the piano department for 14 years. From 2011-2015 he was invited as a visiting professor at the Aichi Prefectural University of Arts Japan (Aichi Geidai). He is a judge at international competitions around the world, including Brussels, Tokyo (PTNA and Yamaha), Beijing, Jaen, Sofia, Rome, Hamburg, Frankfurt, San Sebastian, Madrid, Messina and Caltanisetta. Many of his disciples who studied under him have won 1st prizes in major international competitions around the world, including the German Echo Klassik, the Queen Elizabeth International Competition, the Jaen International Competition, and the Steinway International Competition, the French International Competition, Elise Meyer Competition and many others. In addition to hosting master classes at major conservatories throughout Europe such as the Paris Conservatoire, the Royal Conservatoire de Madrid, the Sofia Conservatoire, the Lisbon Conservatoire and the Rotterdam Conservatoire, he is teaching at Kalaidos Musikhochschule (Zürich, Switzerland) and at the Yamaha Master Class (Yamaha Music Foundation, Tokyo). Many of his former students are nowadays professors in numerous universities around the world or leading an international career. Beethoven op. 106 and op. 120 https://music.apple.com/de/artist/ralf-nattkemper/394267498 Beethoven op.109,110,111    https://open.spotify.com/album/1zhT199u8anCXhruEqP1hN 랄프 나트켐퍼 유튜브 채널

Former professor at Korea National University of Arts
한국예술종합학교 교수 역임

Former professor at Hanyang University, College of Music
한양대학교 음대 교수 역임

피아노 가브리엘 쵸도스 피아노 가브리엘 쵸도스 (Gabriel Chodos) Professor Emeritus, New England Conservatory of Music for 25 years as Piano Chair, USA 미국 뉴 잉글랜드 음악원 학과장 역임 Emeritus faculty of the Aspen Music Festival 아스펜 뮤직 페스티벌 명예 교수   “GABRIEL CHODOS – GREAT PIANIST.  This recital was masterful and gripping from beginning to end.  He belongs among the great interpreters and best pianists of this day.” – De Tijd, Amsterdam  “Gabriel Chodos is an artistic personality combining true musicality, great piano playing, and a mighty capacity for personal and poetic expression.” – Ha’aretz, Tel Aviv “A GLIMPSE OF THE ULTIMATE … In the first movement of the Schubert B-flat Sonata the pianist risked everything.  No one can play this music at such a slow tempo, you would think – and, crucially, “hold” it, keep it from fragmenting – unless he is Schnabel or Richter.  Chodos did. – Boston Globe “ … Pianists like Schnabel, Edwin Fischer, and Myra Hess, the dress circle to which this artist belongs.” – Clavier GABRIEL CHODOS is Emeritus Professor of Piano at the New England Conservatory of Music.  He was Chairman of the Piano Department at the New England Conservatory for 25 years, and he was also a member of the artist faculty of the Aspen Music Festival for many years.  His students have included the renowned Chinese pianist Zhu Xiao-Mei and Peter Sykes, who is a member of the faculty of the Juilliard School. Mr. Chodos has performed throughout the United States, Europe, and Asia. He has been soloist with the Chicago Symphony Orchestra, the Radio Philharmonic Orchestra of Holland, the Jerusalem Symphony Orchestra, and the Aspen Chamber Symphony.  A winner of the Concert Artist Guild competition in New York, Mr. Chodos also received a Fulbright Scholarship, Martha Baird Rockefeller grants, and a Solo Recitalist Grant from the National Endowment for the Arts. Mr. Chodos has performed at the 92nd Street Y, Alice Tully Hall, Merkin Hall, Symphony Hall, and the Library of Congress.  Mr. Chodos’s performances of works by Schubert, Chopin and Brahms have been broadcast nationwide by National Public Radio.  He has recorded for Fleur de Son, Victor/Japan, CRI, Orion, and Centaur. Mr. Chodos has given master classes throughout the world, including the Guildhall School of Music in London, the Hochschule für Musik in Leipzig, the Estonia Music Academy in Tallinn, the Central Conservatory in Beijing, the Toho Gakuen School of Music, the Kunitachi School of Music in Tokyo, Seoul National University, Yale University, Indiana University, the Aspen, Chautauqua and Atlantic Festivals, the Aldwell Center at the Jerusalem Academy, and the Tel-Hai master classes in Israel. Mr. Chodos’s principal teacher was Aube Tzerko, a student of Artur Schnabel. His undergraduate studies at the University of California at Los Angeles were in Philosophy, and he holds a Master’s degree in Music from UCLA and a Diploma in Piano from the Akademie für Musik und darstellende Kunst in Vienna. 가브리엘 쵸도스 유튜브 채널

피아노 크리스토퍼 오라이얼리 피아노 크리스토퍼 오라이얼리 (Christopher O’Riley) Host of the WQXR radio show “Christopher O’Riley’s Piano Adventures” WQXR 라디오 쇼 “Christopher O’Riley’s Piano Adventures” 진행자 Active concert artist    전문 연주자 활동 중 Pianist,arranger, collaborative artist, composer, educator and media personality;Christopher O’Riley follows his passions into a fractal array of innovativedirections, ever striving for the truest and deepest human connection, throughperformance, collaboration, communion. Living by the Duke Ellington adage,“There are only two kinds of music in the world; good music and the other kind”O’Riley spotlights the greatness inherent in all great music, self-evident inhis all-embracing genre-fluid range of projects. It is with Mr. O’Riley’s dedication to empowering thelearning abilities, the personalities and imaginations of artists, young andold, that he comes to his latest endeavor. As he shares performances of hishome-recorded traversal of J.S. Bach ~ The Well-Tempered Clavier he hasproduced an online archive of video lectures, Everything We Need To Know AboutPlaying The Piano We Learn From The Well-Tempered Clavier, a seriesilluminating a new perspective on each Prelude and Fugue, expanding on all theways the paucity of Bach’s notation encourages us to engage creatively,imaginatively, engaging the inherent freedoms in all parameters of musicalnotation; instruction and insight to inspire transcendence and epiphany. Inhis solo repertoire, O’Riley has always been expanding and buildingtransformatively, first branching out into early Virginalists, William Byrd,Orlando Gibbons, Giles Farnaby, then Bach’s less celebrated keyboard creator,Jean Phillipe Rameau. O’Riley first ventured into the art of pianotranscription most famously with his arrangement of the Flower Duet, “Viens,Mallika!” from Leo Delibes’ Lakme, then two by Bach, the Trio Sonata in CMajor, and the Dorian Toccata & Fugue, Astor Piazzolla’s Verano Porteño. Apollon musagete, O’Riley’s favoritework of Igor Stravinsky, and Liszt’s transcription of Berlioz ~ SymphonieFantastique are two major works which O’Riley has amended copiously Moregenre-fluid projects resulted from his work with cellist, Matt Haimovitz. Theirfirst project was an homage to the iPod: Shuffle.Play.Listen(Oxingale/Pentatone), a two-disc set, featured repertoire of Stravinsky,Piazzolla, Martinu, Janacek as well as arrangements of Radiohead, CocteauTwins, Blonde Redhead, John McGlaughlin, and movements from recentCentenary-celebrant, Bernard Herrmann’s score to the Alfred Hitchcock film,Vertigo. A similarly genre-straddling, Russian oriented project, TROIKA posedestablished masterpieces for cello and piano by Prokofiev, Shostakovich andRachmaninoff with arrangements of each, as well as of more contemporary Russianartists, Victor Tsoi and the protest band, Pussy Riot, and The Beatles’anthemic Back In The U.S.S.R. O’Riley’swork with Matt Haimovitz crossed disciplines as well as genres: 2015 saw therelease of their Beethoven.Period (Pentatone), their traversal of the Sonatasand Variations recorded on Matt’s gut-strung cello and an original 1828Broadwood, a maker whose sound found in Beethoven deep sympathy. O’Rileyhas collaborated with lifetime idol, Argentine Tango Master, Astor Piazzolla’spianist, Pablo Ziegler. Their touring partnership, originally of Pablo’sarrangements of Piazzolla Tango, lately celebrating Pablo Ziegler’s owncompositions, spans a quarter century and 2016 saw the Steinway release oftheir collaboration, Nuevo Tango. O’Riley’srecorded oeuvre is extensive, beginning auspiciously with his debut recordingof Ferrucio Busoni’s epic reimagining of Bach’s unfinished ending of his Art ofthe Fugue, Fantasia Contrapuntistica. Ensuing releases celebrated ContemporaryAmerican Composers (Adams, Helps, Brief, Sessions), Maurice Ravel, BeethovenSonatas. O’Riley’s 1994 Nonesuch release, Stravinsky featured the perennialvirtuoso favorite, Trois movements de Petrouchka as well as O’Riley’sextensively reimagined piano versions of movements of L’histoire du soldat andhis favorite of all Stravinsky’s works, the ballet Apollon musagete. O’Riley’srecorded immersions into the work of Scriabin: Vers la flamme (ImageRecordings, 2004) and Franz Liszt, O’Riley’s Liszt (Oxingale, 2013) were eachborne of grand, cross-media collaborations. Vers la flamme was choreographer,Martha Clarke’s synthesis of short stories of Anton Chekhov and the piano musicof Alexander Scriabin. The ambiguous harmonic equilibrium and interactionbetween the synesthetically-conceived piano music created a portal ofpossibilities pairing particular works with specific dramatic scenario. ThisLincoln Center production toured to the American Dance Festival in Durham, NC,to the Kennedy Center, Jacob’s Pillow, and through Lincoln Center’ssponsorship, on Broadway at the Victory Theater. O’Riley’s most recent New York collaboration was withpuppeteer, Basil Twist. 120 performances took place Summer 2018 and was widelypraised, including by Ben Brantley of the NY Times.  크리스토퍼 오라이얼리 유튜브 채널

Former professor at Korea National University of Arts
한국예술종합학교 교수 역임

Former professor at Hanyang University, College of Music
한양대학교 음대 교수 역임