첼로/더블베이스

Cello Tillman Wick 첼로 틸만 윅 (Tilmann Wick) Professor an der Hochschule für Musik, Theater und Medien Hannover, Germany 독일 하노버 국립 음악대학 교수 Professor an der Kalaidos Musikhochschule in Zürich, Switzerland 스위스 칼라이도스 음악대학 교수 https://www.tilmannwick.com He began to play the cello at the age of 6. At 16, he made his debut as soloist with the Osnabrück Symphony Orchestra, performing Saint-Saens‘ Cello Concerto in A minor. By the age of 26 he was giving 80 concerts a year all over the world, and when he turned 36 he was offered a cello professorship at the Hanover University of Music, Theatre & Media. His pronounced holistic approach not only to music, makes him a strong personality as teacher, juror, coach for high performance, as a lateral thinker, as a visionary leader, as mountain climber and nature lover.   Tilmann Wick is a soloist. He draws on concert experience gained with Claudio Abbado, Manfred Honeck, Herbert von Karajan, Wolfgang Sawallisch, Sir Georg Solti, Rudolf Buchbinder, Pascal Devoyon, Bernd Glemser, Dae-Jin Kim, Matthias Kirschnereit, Igor Levit, Christian Zacharias, Lera Auerbach, Christian Altenburger, Dong-Suk Kang, KyungSun Lee, Shlomo Mintz, Anne Shih, Guillaume Sutre, Ingolf Turban, Frank Peter Zimmermann, and Tabea Ziummermann. Highlights in his career include Dvorak‘s Cello Concerto with the Hallé Orchestra of Manchester, Tchaikovsky‘s Rococo Variations with the Bavarian State Orchestra of Munich, the world premiere of Ernst Helmuth Flammer‘s cello concerto Capriccio with the MDR Symphony Orchestra of Leipzig. Further focal points include performances in New York‘s Carnegie Hall, in Boston, Washington D.C., Los Angeles, Montreal, Santiago de Chile, in Melbourne, Seoul, Pretoria, Tunis, Casablanca, Alger, London, Brussels, Paris, San Sebastián, Novosibirsk, Krasnojarsk, Tomsk, Lucerne, in Zurich‘s Tonhalle, Berlin‘s Schauspielhaus, Frankfurt‘s Alte Oper, Munich‘s Herkulessaal and State Opera and Cologne‘s Philharmonie. His debuts were also memorable occasions, as at the Salzburg Festival, the Berlin Festival (at the invitation of Claudio Abbado), the Ludwigsburg Castle Festival, the Schleswig-Holstein Music Festival, the Musiktreffen St. Moritz in Switzerland, the Festival de l’Orangerie de Sceaux in France, the Festival MusicAlp Courchevel and Tignes, the Portogruaro Music Festival in Italy, the Dartington International Festival of Music in England, the Euro Arts Music Festival in Korea, Austria and Germany, Spain‘s Festival Quincena Musical, and the Kronberg Academy in Germany.   Tilmann Wick is a perfectionist. His CD recordings produced by EMI classics, audite, MD+G, and ambitus, are treasured by connoisseurs the world over and praised by critics as reference recordings. His technique is a modern, innovative one that he takes still further in order to demonstrate the complete scope of the spacious sound spectrum of the violoncello. His unique ambitus CD of Britten‘s complete works for cello solo documents his pronounced sense of tone colour and tonal resource.   Tilmann Wick is distinguished in the sense that he has received many awards in his career, ranging from a Concert Artist Diploma examination passed “with distinction“ in the early days, to two renowned first prizes gained later on in Spain and New York, where he takes the lead from 170 participants.   Tilmann Wick has remained a person with a deep concern for other people, despite his impressive career. Thus it is only logical that he teaches, both in master classes in the USA, Canada, Russia, China, Singapore, Korea, Japan, Australia, Sweden, Serbia, Poland, Spain, Italy, Switzerland, England, France, Austria and Germany (i.e. Kronberg Academy), and at the Hanover Music Academy (Hochschule für Musik, Theater & Medien Hannover/Germany), where he assumed the cello professorship in 1998. He serves as a jury member in international cello competitions like the Lutoslawsky Cello Competition in Warsaw, the Instrumental Competition in Markneukirchen or the International Hindemith Competition Berlin.   And because Tilmann Wick has remained a person with a great sense of responsibility for this earth, for the freedom of people and for the freedom of their thoughts and speech, he has freely given up his cello professorship in April 2022. Having to fit into a corset of government regulations since 2020 is deeply contrary to his knowledge of human being in freedom, love, joy and communal connectedness. Tilmann Wick teaches international cellists as a private cello professor with his own developed holistic method. 틸만 윅 유튜브 채널

첼로 라몬 야페 첼로 라몬 야페 (Ramon Jaffe) Faculty an der Hochschule für Musik Carl Maria von Weber Dresden, Germany 독일 드레스덴 카를 마리아 폰 베버 국립 음악대학 출강 Artistic Director of Kammermusikfest Hofgarten Hofgarten 국제 음악 축제 예술 감독 Active Cello Soloist 전문 솔로이스트 활동 중   https://www.hfmdd.de/personen/person/237-ramon-jaffe   Born into a musical family in Riga, Latvia in 1962, he immigrated to Israel with his family in 1971 before coming to Germany in 1974. Ramón Jaffé received his first musical tuition under his father Don Jaffe, who guided him until his concert exam in 1988 with B. Peragamenschikow. In addition to his tutelage under D. Geringas, D. Shafran and S. Vegh served as his musical mentors. As chamber music partner, he accompanied Sandor Vegh in his last great appearance as a violinist in the great Mozarteum Hall in Salzburg.   Ramón Jaffé, under this master‘s aegis, took successfully part in a series of competitions such as the German Musical Competition (1984) and the Casals Competition in Budapest (1985). His solo career, which had commenced during his studies, led him to the prestigious concert houses of Berlin, Leipzig, Amsterdam, Vienna, Salzburg, Munich, London, and Cologne, St.-Petersburg, Rio de Janeiro, to name a few. While doing this, he devoted himself to chamber music as a member of the string trio ,,Belcanto Strings“  (1993 – 2009) and the ,,Mendelssohn Trio Berlin“. Further chamber music partners have included, among others, I. Vermillion, Y. Bronfman, A. Mustonen, A. Frölich, F. Leleux, V. Mendelssohn, J. Rachlin, W. Fuchs, M.P. Langlamet, B. Schmid, E. Bashkirowa, G. Causse, and N. Znaider.   In addition, Mr. Jaffé is the founder and artistic manager of the Chamber Music Festival Hopfgarten/Tirol. In 2011 he has accepted the invitation to the artistic leadership of the Chamber Music Festival in Middelburg/NL which he led until 2019. In 2020 he has founded the Kammermusikfest Oberlausitz in Saxonia/Germany.   The orchestras with which Ramón Jaffé has worked, include the DSO&BSO Berlin, St. Petersburg Philharmonic, Berliner Symphoniker, Hamburger Symphoniker, Camerata Academica Salzburg, Radio SO Vienna, Mozarteum Orchestra Salzburg, the Armenian Philharmonic, the Stuttgart Philharmonic, Stuttgart Chamber Orchestra, Orquesta Sinfonica do Brazil.   A sampling of the conductors, with whom he has worked includes A. Boreyko, A. Mustonen, M. Jurowski, E. Topchjan, St. Blunier, Ralf Weikert, as well as the jazz singer Bobbie McFerrin.   He appeared with the Bavarian Radio Orchestra under the conductorship of R. Abbado, M. Viotti and L. Foster, and the RSO Vienna in the Vienna Musikverein within the Wiener Festwochen. This performance was frequently broadcast internationally via radio and television. Numerous other T.V. and radio recordings as well as an impressive number of CDs document his artistic work. “Meditation hebraique“, Brahms Arrangements (published by Koch Schwann), and the premiere of B. Blacher‘s Cello Concerto (Signum) are examples of this. Among the newest releases one can find “The cello’s opera voice” with original pieces for Cello&Orchestra by Verdi, Rossini, Weber, Auber and R.&J. Strauss and Dvoráks Cello concerto No. 1 in A Major.   Ramón Jaffé was a welcomed guest at international festivals, such as the Schleswig-Holstein Festival, the Rheingau Festival, the Würzburg Mozart Festival, Open Chamber Music Prussia Cove (GB), D. Oistrakh-Festival (Estonia), Schubertiade Roskilde (DK), Mecklenburg-Vorpommern Festival, Stuttgarter Bachtage, Steirischer Herbst Graz, the Kuhmo Chamber Music Festival (Finland), the Jerusalem Chamber Music Festival, Salzburg Culture Weeks, the Expo 1992 and the Biennial in Seville, the Middelburg Festival (NL), the MIDEM in Cannes, Amadeo (NL), Summertime (LV) and the Ludwigsburg Festival.   One of his most artistically exciting and impressive encounters was that with the late Flamenco guitarist Pedro Bacan. Bacan introduced Ramón Jaffé to the secrets of the fascinating world of Flamenco.   Their performances have culminated at all the significant Flamenco Festivals in Spain and France. In 2006 Ramón Jaffé has founded the RamonJaffé-Trio (cello, flamenco-guitar&flamenco-dance), which is specialized on the connection of spanish classical music with the flamenco. He is also constantly performing with the Sri Lankan Sitar-virtuoso Pradeep Ratnayake.   Ramón Jaffé is teaching at the University of Music “C. M. v. Weber” in Dresden. In addition he is leading worldwide masterclasses and is jury-member of several competiotions. 라몬 야페 유튜브 채널

첼로 크리스토프 판티용 첼로 크리스토프 판티용 (Christophe Pantillon) Professor an der Universität für Musik und darstellende Kunst Wien, Austria 오스트리아 빈 국립 음악대학 교수 Aron Striong Quartet member 아론 스트링 콰르텟 멤버 https://www.mdw.ac.at/imp/christophe-pantillon Cellist CHRISTOPHE PANTILLON was born in Neuchâtel into a Swiss-american family of musicians. He started playing the cello with J.-P. Guy and Elena Botez before continuing his studies with Heinrich Schiff at the Music Academy in Basel, with Valentin Erben at the Vienna Music University and with Ralph Kirshbaum at the Royal Northern College of Music in Manchester. He has attended numerous master classes, in particular with Mischa Maisky.   Mr. Pantillon has been playing chamber music ever since his childhood. He moved to Vienna in 1992, and in 1998, he founded the aron quartet, quartet-in-residence of the Arnold Schönberg Center. He is also principal cellist of the Vienna Chamber Orchestra, member of the “Leschetizky Trio Vienna” and gives regularly duo concerts with his wife, the violinist Klara Flieder. Christophe David Pantillon has given regular performances, both as soloist and as chamber musician, in Vienna (Musikverein, Konzerthaus), Salzburg (Mozarteum), New York (Carnegie Hall), London (Wigmore Hall), Washington (Library of Congress), Tokyo (Casals Hall, Oji Hall), Moscow (Tchaikovsky Conservatory), Buenos Aires (Teatro Colon), Madrid (Teatro Real), Zurich (Tonhalle), Prag (Suk Saal), in Paris, Amsterdam, Warsaw, Saint-Petersburg, Helsinki,.. as well as in numerous festivals (Festival Menuhin Gstaad, Festival de Radio France (Montpellier), Festival International de Quatuors à Cordes du Lubéron, Styriarte Graz, wien modern, Festival de Kuhmo (Finnland), Festival Cervantino (Mexico), Festival Musical de Santo Domingo, Norfolk Chamber Music Festival (USA),”Sounding Jerusalem”, Festival de la Roque d’Anthéron, «Mostly Music» Chicago,etc…   Christophe Pantillon has been privileged to work with such great artists as Philippe Entremont, Bruno Canino, Marcello Viotti, Sir Neville Marriner, Sir Roger Norrington, Peter Schreier, Thomas Quasthoff, Oleg Maisenberg, with members of the Alban Berg Quartet, the Chilingirian Quartet, as well as members of the Berlin and the Vienna Philharmonic. In 2006, Christophe Pantillon took part in a “Soirée Beethoven” with the actor Gérard Depardieu. He has given master classes in Switzerland, USA (Yale University in Norfolk), France (Académie international de Nice), Ireland, Switzerland, Spain and India. He is currently teaching at the Vienna School of Music. 크리스토프 판티용 유튜브 채널

첼로 요하네스 크렙스 첼로 요하네스 크렙스 (Johannes Krebs) Professor an der Universität für Musik und darstellende Kunst Graz, Austria 오스트리아 그라츠 음악대학 교수 Active conceert artist 전문 연주자 활동 중 https://www.kug.ac.at/personen/persondetail/johannes-krebs Johannes Krebs was born in Goslar, Germany in 1974. He is today one of the most interesting and multifaceted musicians of his generation.   Mr. Krebs studied with Frans Helmerson, Reinhard Latzko, Friedrich Jürgen Sellheim and Klaus Heitz in Hanover, Madrid, Basilea and Cologne. He participated in masterclasses with Boris Pergamenschikow, Bernhard Greenhouse, Wolfgang Böttcher, Mario Brunello and Yehudi Menuhin. The german cellist has won numerous prices and awards at competitions in Germany, Austria, England and the USA.   Over the last decade, Krebs has developed an extensive career as a soloist, chamber musician and much sought after teacher.   As soloist with orchestras he has performed under the baton of conductors like Ingo Metzmacher, Markus Poschner, Marko Letonja, Christopher Hogwood, Nicholas Milton, Florian Krumpöck, Thomas Klug and Wolfgang Schmidt. With the Hanover Piano Trio he has been appearing in concerts and recitals all over Europe and South America.   In 1999 Krebs made the world premiere recording of the piece TROVA by the spanish composer Enrique Granados for SONY. Later he has recorded many of the standard cello concertos by Haydn, Boccherini, Dvořák, Schumann, Bruch and Tchaikovsky. As a chamber musician he recorded Beethoven, Reger, Schnittke, Penderecki, Weinberg and Schubert string trios. Also he recorded Dvořák, Brahms, Mayer and Shostakovich Piano Trios, Beethoven, Mozart and Brahms Piano Quartets and Janáček String Quartets.   Mr. Krebs was invited for radio and tv-productions in Germany (NDR) and Spain (Tele5, Radio nacional, Canal+, Radio classico).   Krebs served as assistant Principal cellist at the Hamburg State Opera from 2002-2006 and as Principal cellist of the Bremen Philharmonic Orchestra from 2006–2019.   He taught at the Hochschule für Künste in Bremen from 2009–2020. In October 2019 he was appointed Professor at the Kunstuniversität in Graz. He offers masterclasses in Germany, Austria, Poland, Italy, and Spain and coaches regularly the cello sections of German youth orchestras. He was invited as a guest professor at the Music Academy in Krakow, Poland, and in Gent, Belgium.   Recently he has played concertos of the standard repertoire as well as extraordinary concertos by Martinu, Tüür, Sallinen and Gulda.   In 2015 he served as judge in the Tonali Cello Competition and was appointed Artistic Director of the Musikfest Goslar. Krebs plays a marvellous cello by Carlo Antonio Testore, Milano 1746. 요하네스 크렙스 유튜브 채널

첼로 페르 니스트롬 첼로 페르 니스트롬 (Per Nyström) Principal in Uppsala Chamber Orchestra, Sweden 스웨덴 웁살라 챔버 오케스트라 수석 2012 holder of the Swedish royal medal ‘Literis et artibus’ 2012년 스웨덴 왕실 훈장 ‘Literis et artibus’ 수여 Kammarmusikens Vänner festivals founder & artistic advisor and Served as artistic director “Kammarmusikens Vänner festivals”설립자 겸 예술 고문, 예술 감독 역임

첼로 알렉산더 카스트로 발비 첼로 알렉산더 카스트로 발비 (Alexander – Castro Balbi) Principal of the German National Theater 독일 국립 극장 오케스트라 수석 Solo cellist of the Staatskapelle Weimar 바이마르 슈타츠카펠레 독주자 https://www.instagram.com/alex.castrobalbi Alexandre Castro-Balbi , born in Besançon in 1991, grew up in a musical family of Latin American origin. At the age of seven he received his first cello lessons from György Adam at the Conservatoire de Besançon. He graduated from the Conservatoire with the Diplôme d’Études Musicales in 2004 and continued his studies the following year with Marc Coppey at the Conservatoire de Paris. Two years later he began his studies at the Conservatoire Supérieur de Paris (CNSM) with Philippe Muller, from which he graduated with a master’s degree. He then deepened his studies with Prof. Wolfgang Emanuel Schmidt at the Hochschule für Musik “Franz Liszt” Weimar.   After studying for a semester at the Hanns Eisler Music Academy in Berlin with Claudio Bohórquez as part of ERASMUS, he spent another semester with Clemens Hagen at the Mozarteum in Salzburg. He also took part in numerous master classes, including with Steven Isserlis, László Fenyő, Lluís Claret, Sadao Harada, Peter Bruns, Raphae ͏̈l Pidoux and Xavier Gagnepain.   Alexandre Castro-Balbi has won several international prizes, including second prize and special prize at the Carlos Prieto International Cello Competition in Morelia (Mexico) and second prize at the Prince of Asturias Villa de Llanes competition in Spain. At the “International Competition Franz Schubert and Modern Music” in Graz, he was awarded second prize with his piano trio “Suyana” and the special prize for the best interpretation of a contemporary work.   At the age of 19, Castro-Balbi reached the semi-finals of the ARD music competition in Munich in 2010. He won scholarships from the Yamaha Music Foundation of Europe, the Académie musicale de Villecroze and the Foundation for Young Musicians in Besançon. He has been invited to numerous international festivals, including the “Festival internacional de cello”, Lima (Peru), “Festival Prince of Asturias” (Spain), Festival “Music in the Mountains”, Colorado (USA), “Festival international de musique de Besançon” and the Festival of “Villa Musica”.   As a soloist he has performed with the Munich Chamber Orchestra, the Jena Philharmonic, the Budapest Chamber Orchestra, the Orquesta Sinfónica Nacional de Panamá, the Berlin-Brandenburg Symphony Orchestra, the Orchester du Conservatoire National Supérieur de Paris, the Landesjugendorchester Peru and the Orchester Philharmonique de Besançon among well-known musicians Conductors such as Seiji Ozawa, Myung-Whun Chung, Péter Csaba and Zsolt Nagy in the Berlin Philharmonic, the Salle Pleyel, the Théâtre des Champs-Elysées, the Munich Philharmonic, the Victoria Hall Geneva, the Teatro Nacional Madrid, the Musikverein Graz and im Solitaire Salzburg. In 2017 he played the Lalo Cello Concerto as a soloist with the Staatskapelle Weimar under Stefan Lano.   His chamber music partners include Lucas Debargue, Markus Groh, Natasha Prischipenko, Christophe Giovaninetti, Svetlin Roussev, Diana Ligeti, Mayu Kishima, Marc Bouchkov, Marie Chilemme, Adrien Boisseau, Regis Vincent, Lena Semenova, Guillaume Chilemme, David Castro-Balbi and Thibaud Epp . Alexandre Castro-Balbi has been solo cellist of the German National Theater and the Staatskapelle Weimar since 2015. 알렉산더 카스트로 발비 유튜브 채널

첼로 백나영 첼로 백나영 (Na-young Baek) Assistant Principal Cellist of New Jersey Symphony, USA 미국 뉴저시 심포니 오케스트라 수석 A member of the Sejong Soloists and East Coast Chamber Orchestra 한국 세종솔로이스츠 및 미국 이스트 코스트 챔버 오케스트라 단원 https://www.njsymphony.org/musicians/detail/nayoung-baek Winner of the Philadelphia Orchestra Greenfield Competition, Korean-born cellist NAYOUNG BAEK made her American debut with the Philadelphia Orchestra in 2000. She has appeared as soloist with the Hudson Valley Philharmonic, DuPage Symphony Orchestra, Seoul Philharmonic and Korean Chamber Ensemble at major venues, such as the Academy House in Philadelphia and the Rheingau Musik Festival in Frankfurt, Germany. Recent highlights include performances of Dvořák’s Cello Concerto with the Ulsan Symphony Orchestra, Wonju Philharmonic Orchestra and Greenwich Village Orchestra in New York City and Beethoven’s Triple Concerto with the Macau-Hong Kong-Taipei Symphony Orchestra for its New Year’s Concert in Macau, China.   At the age of 15, Baek became the youngest winner in the history of the prestigious Choong Ang Times competition in Korea and also garnered the Virtuoso Prize at the first Tchaikovsky Competition for Young Musicians in Moscow, Russia. Baek was a prizewinner in the Gyeongnam International Competition (in memory of Isang Yun) and won first prize in Hudson Valley Philharmonic Competition and Holland-America Music Society Competition. Her recital appearances have included a New York-debut recital at Weill Hall at Carnegie Hall, presented by the Korea Music Society, and the Dame Myra Hess Concert Series in Chicago. An avid chamber musician, Baek has participated in and performed at the Marlboro Music Festival, Great Lakes Chamber Music Festival, Casals Festival in Prades, Aspen Music Festival and Isaac Stern Seminar in Israel. She has been featured at Carnegie Hall, the Kennedy Center, Salle Gaveau in Paris and Cadogan Hall in London, and on NPR’s “Performance Today.” She has toured twice with Musicians From Marlboro, playing the Mendelssohn Octet and Janáček Quartet.  Baek studied with Orlando Cole at the Curtis Institute of Music in Philadelphia. She continued her studies at Yale University for her master’s degree and at The Juilliard School for her Artist Diploma with Aldo Parisot, who awarded her the Aldo Parisot Prize at the end of her studies. She completed her Doctor of Musical Arts degree at Stony Brook University, where she studied and performed with Colin Carr. Baek served as an adjunct faculty member at Kean University and is a member of the Sejong Soloists and East Coast Chamber Orchestra.

첼로 김연진 첼로 김연진 (Yeonjin Kim) Professor of The Tianjin Juilliard School, China 중국 텐진 줄리어드 음악원 교수 https://www.tianjinjuilliard.edu.cn/faculty/yeonjin-kim Korean cellist Yeonjin Kim has received international acclaim as a soloist, recitalist, and chamber musician at venues such as the Kennedy Center, Konzerthaus Berlin, Berlin Philharmonie, Seoul Arts Center, Suntory Hall, China National Center for the Performing Arts, and others.    A top prize winner of the Sorantin International Competition (USA), Bossart Award (USA), Dichler-Sato International Competition (Austria), and Viva Hall Competition (Japan), Kim has appeared as soloist with orchestras in Cleveland, Ann Arbor, Colorado, Seoul, and Manila. Her performances were broadcasted on TV and radio in the U.S., Korea, and Japan. As an avid chamber musician, she has collaborated with world-renowned artists. Kim has also performed extensively in Korea and the US with her two sisters in a piano trio, Trio K.   Prior to joining The Tianjin Juilliard School, Kim served as a guest faculty at the University of Michigan and Oberlin Conservatory as well as an adjunct professor at Furman University. She has given master classes in schools in USA, Korea, China, the Philippines, and Hungary. Other artist faculty appointments include Abilene Music Festival, Madeline Island Music Festival, and Luzerne Music Festival. As an orchestral player, Kim also served as assistant principal of the Northwest Indiana Symphony and guest principal cellist of the Ann Arbor Symphony, Dearborn Symphony, and National Repertory Orchestra.   Kim graduated from Seoul National University (BM) in Korea; Toho Gakuen in Japan; Cleveland Institute of Music (MM); and the University of Michigan (DMA) under the tutelage of Chung-Shim Baek, Dong-Oo Lee, Ji-sook Shin, Ko Iwasaki, and Richard Aaron. 김연진 유튜브 채널

첼로 이상 엔더스 첼로 이상 엔더스 (Isang Enders) Former principal Staatskapelle Dresden 독일 드레스덴 슈타츠카펠레 수석 역임 Active as a concert Soloist Artist 전문 연주자 활동 중 https://www.isangenders.com Cellist Isang Enders has excelled himself as a musician of new concepts and a constant search for clues, which he continues to demonstrate with his particularly wide repertoire. With his early release of Johann Sebastian Bach’s cellosuites on CD and soundtrack, the FAZ will be his “excellent technical skills and early insight,” which will be described as an “interpretation that can be measured with the best.” The BBC Music magazine particularly praises him: “[…]he reconciles the seemingly irreconcilable: virtuosity, good touch, knowledge and originality. It’s a fascinating interpretation of what is neither willful, nor does it ever retreat into lifeless purism.” With the Bach suites, Isang Enders traveled to many large and small places. That’s how he was at the Bach Festival in Montreal, Melbourne, the Eater and Cologne Philharmonic, but also in Aschaffenburg and Malta.   Meanwhile, Isang Enders is concerting around the globe, putting the breadth of his repertoire not only socialist, but also chamber music at the forefront. He played the cello concerto of Unsuk Chin in Stavanger, the Philharmonic Orchestra of Radio France in Paris, the Opera City Hall in Tokyo and also in Sao Paolo. Last time he was involved in the pre-show of Charlotte Bray’s Triple Concerto with the Philharmonic Orchestra in England and his colleagues from the Sitkovetsky Trio, whose membership he’s been for three years. An Asian tournament featuring Czech Philharmonic and Dvorak Cello Concerto, as well as his guest appearances in Hong Kong, the New York Carnegie Hall, the Wigmore Hall in London and the prestigious Concertgebouw Amsterdam. Isang Enders will regularly return to the Heidelberger Spring, the Rheingau Music Festival and the International Chamber Music Festival, and will perform concerts in Hong Kong with Beethoven’s Triple Concerto, the Cologne Philharmonic with Igor Levit and Anna Prohaska, Chamber concerts in South America and a guest performance in Italy with the Prague Radio Orchestra, as well as a recital with Ragna Schirmer at the Mozartfest in Würzburg and a Bach project with the cembalist Mahan Esfahani in Malta.   Isang Enders came to enjoy great leaders and chamber music partners on important stages. He worked with Zubin Mehta, Christoph Eschenbach, Myung-Whun Chung or Eliahu Inbal and was a soloist at the Vienna Music Association, the Prager Rudolphin and the Berlin Concert Hall, as well as at the major festivals of Schleswig-Holstein, Paris and Marlboro. Especially Asia has a growing importance for him, making guest appearances at orchestras in Korea, Taiwan, China and Japan every season. In this way, Isang Enders, with great support from composer Unsuk Chin, also engaged in the introduction of contemporary repertoire in Asian concert halls and gave the premiere performances of the cello concerts of Henri Dutilleux, Witold Lutoslavski and Bruno Mantovani in Korea, where he’s a regular guest at the Seoul Philharmonic Orchestra. With Peter Eötvös’ concerto, Isang Enders will also make his debut at Suntory Hall in Tokyo next year. As a special inspiration, he felt the long-standing collaboration with pianist Igor Levit… …with Isang Enders at the Schubertiade in Schwarzenegger, the Cologne Philharmonic or the Beethoven Festival in Bonn. Together, they are artists of the first hour of the International Shostakovich Festival in Gorish. Isang Enders connects a musical partnership with outstanding musicians, with whom he regularly performs on stage in recitals. With Sunwook Kim, Severin of Eckardstein, Sunwoo Yekwon or Veronika Eberle, Ning Feng and Volker Jacobsen.   Recording is a special passion of Isang Enders. He published his Bach Suites, as well as works by Schumann and Isang Yun, with the BerlinClassics label. The latest recording with works by Debussy, Messiaen and Boulanger appears as Vox Humana in the spring of 2020. At OEHMS Classic, his live performance came out of the Old Frankfurt Opera of Strauss’ Don Quixote with the Frankfurt Museum Orchestra under Sebastian Weigle, and with the Sitkovetsky Trio, a Beethoven piano trio and works by Saint-Seens and Ravel will appear on the label BIS. 이상 엔더스 유튜브 채널

첼로 드미트리 파이긴 첼로 드미트리 파이긴 (Dmitry Feygin) Professor of Tokyo College of Music, Japan 일본 도쿄 음악대학 교수 https://www.tokyo-ondai.ac.jp/en/faculty Russian cellist Dmitry Feygin was born in Moscow to his father Valentin Feygin, a distinguished cellist, and mother Galina Zubareva , a famous cello teacher. He received his education at the central music school of Moscow Conservatory in a special program for highly musically gifted children, and continued his studies at the Moscow Conservatory, where he earned his graduate degree. He studied cello with his father and chamber music with Aleksandr Korchagin, a cellist of the Shostakovich String Quartet, and professor Tigran Alikhanov. Since 1990, Mr. Feygin has performed both in Russia and abroad, including at the New Viktring festival, the Corinthian Summer Music Festival in Austria, the Colmar International Festival in France organized by the Russian violinist Vladimir Spivakov, the Oleg Kagan Music Festival in Russia organized by Natalia Gutman, and the November Art Festival in Moscow. Recently, Mr. Feygin has performed with Japanese orchestras under the batons of world-famous Japanese conductors such as Kenichiro Kobayashi and Junichi Hirokami. He has also appeared with distinguished orchestras in South Korea and Vietnam. He currently serves as a jury member for competitions in Japan, Russia and South Korea, and also gives master-classes mainly in China and other Asian countries. He is also active as a soloist and chamber musician. 드미트리 파이긴 유튜브 채널